Most influential mag ever
The first of a new regular column from Dickon Ross.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The first of a new regular column from Dickon Ross.
Headquartered in a converted church in south London, the Mark Allen Group has grown exponentially over the last few years and is planning further growth. Mark Allen talks to Meg Carter about his publishing and business philosophy.
In a galaxy far, far away there is a model world that leaves behind the cares of the real world. And there are magazines too. Alan Geere gets down amongst the little people.
The Association for Online Publishing has announced entries for its flagship annual awards, which include a new category, are now open.
Mash Media has announced the launch of 2020Publishing – a new conference aimed at publishers looking to develop new revenue lines and products for their business.
The magazine, the latest instalment of the 'This Is' series, is packed, say the publishers, with entertaining features such as DIY sensory play ideas, puzzles, a delicious snack recipe and ‘Let’s Count Together’ game.
Condé Nast International and Nervora yesterday announced the upcoming launch of Wired Middle East.
Egmont Publishing has signed a deal with WowWee Inc for the rights to publish a magazine based on its Fingerlings brand.
Hearst UK has partnered with the Cambridge School of Visual and Performing Arts (CSVPA) to build upon its existing relationship to provide two fully-funded scholarships.
Fashion and lifestyle magazine Hunger have launched a digital edition in partnership with Exact Editions, including a complete archive of the title’s 15 back issues.
The Economist recently expanded on its new ‘Never Stop Questioning’ TV commercials with a companion experiential activation at London Victoria train station.
The Board of Directors of Boat International Media has announced the appointment of Tony Euden and Toby Moore as co-Chief Executives.
BBC Sky at Night Magazine yesterday launched Back Garden Astronomy Week; a campaign designed to inspire the nation to discover the wonders of stargazing.
Immediate Media Co yesterday announced the acquisition of Upper Street Events Ltd, one of the UK’s leading producers of consumer enthusiast events.
Press regulator IPSO yesterday issued new information for parents, guardians and other members of the public who may be concerned about reporting which includes children.