Readly appoints new CFO
Last week Readly, the global subscription service for digital magazines, announce that Sebastian Ahlskog will join the company as Chief Financial Officer.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Last week Readly, the global subscription service for digital magazines, announce that Sebastian Ahlskog will join the company as Chief Financial Officer.
For the first time, Vogue House will be opening its doors to share a glimpse into the world of Vogue Beauty for five days from Sunday November 11th.
Digital publisher Buro Global this week unveiled the new brand identity for Buro24/7, its luxury lifestyle destination for affluent millennials.
James Evelegh's editorial from today's edition of InPubWeekly.
The PPA has this week called on Phillip Hammond to cut what it describes as the “digital reading tax” in his Budget later this month.
The Independent Press Standards Organisation (IPSO) yesterday issued guidance for editors and journalists on reporting sexual offences, alongside information for survivors on contact with the media.
British Vogue has made three senior appointments: Jewellery and Watch Director, Fashion and Accessories Editor and Contributing Jewellery Director.
Future plc recently announced the appointment of Rob Hattrell as a Non-Executive Director with effect from 1 October 2018.
Stylist on Friday unveiled its new TV show, Stylist Women of the House, a “safe space” designed to allow discussion on current topics ranging from women’s representation in Westminster, abuse on social media, the effect of alcohol in the Houses of Pa
The British Society of Magazine Editors has announced the shortlist for its 2018 awards.
The PPA has announced the shortlist for its 2019 Customer Direct Awards.
UK advertisers spent £6.4bn on digital advertising in the first half of 2018, according to the latest results of the IAB UK and PwC Digital AdSpend report.
Egmont Publishing, a children’s specialist publisher, has announced a Gaming Special from its boys’ magazine, Toxic.
Dazed Media has announced the appointment of a General Manager, Commercial and a Fashion Account Director.
James Evelegh's editorial from today's edition of InPubWeekly.