Vogue launches partywear collection
British Vogue and Reserved have announced a collaboration on a collection of partywear for New Year’s Eve 2018-19.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
British Vogue and Reserved have announced a collaboration on a collection of partywear for New Year’s Eve 2018-19.
Warners Group Publications has announced that Keiron Jefferies has been appointed Circulation Manager following the retirement of Tom Brown.
Selligent Marketing Cloud, the B2C Marketing Automation company, last week announced Future plc as a client.
Esquire, Hearst’s men’s magazine brand, has launched The Esquire Edit - a capsule collection of limited-edition menswear staples, curated by the Esquire team in collaboration with seven designer brands.
James Evelegh's editorial from today’s edition of InPubWeekly.
Marie Claire, the premium fashion and beauty brand, is harnessing the power of the Fabled by Marie Claire business by partnering with Next plc to launch a full beauty offer on Next’s website.
Condé Nast International yesterday announced that the 26th edition of Vogue will launch in Hong Kong in 2019.
Raspberry Pi has launched Wireframe, a magazine aimed at gamers who want to go behind the scenes of their favourite hobby, looking at how games are made, who makes them, and how readers can create their own games.
British GQ yesterday announced the findings of an external survey, conducted by YouGov on The State of Man in partnership with Gillette.
Vanity Fair UK will launch its new podcast series, The Making Of…, in partnership with Grow by Facebook and Founders Forum 1st November 2018.
My Weekly’s Helping Hand Appeal has raised a total of £1 million since its creation twenty years ago.
In a letter to The Times newspaper, published yesterday, leading magazine editors have called on Chancellor, Philip Hammond, to axe what they describe as the “reading tax” in his Budget next week.
Bauer Media Group has acquired the remaining shares of NetBrokers Holding, a leading online comparison platform in the Czech Republic and Slovakia.
James Evelegh's editorial from today’s edition of InPubWeekly.
Sir Bradley Wiggins will attend the ceremony to recognise the essential work of local volunteers who drive the sport at grass roots level, and will present the Local Hero award.