BSME Awards – winners announced
The 2018 British Society of Magazine Editors Awards were held last night at The Sheraton Grand London Park Lane Hotel.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The 2018 British Society of Magazine Editors Awards were held last night at The Sheraton Grand London Park Lane Hotel.
ShortList, which claims to be UK's biggest men's magazine, is being axed by its publisher as advertising continues to move online.
Hearst UK has appointed Ali Gray as Branded Content Director. In her new role, she will oversee the creation of all branded content across Hearst UK’s 23 brands.
Hearst UK has announced the launch of a new wellbeing and fitness festival for women, from the team behind Women’s Health.
Club Oenologique, a new wine, spirit and lifestyle magazine officially launches today.
Hearst UK has announced a new brand strategy for Esquire, with a relaunched magazine, a refreshed website and the launch of a new bespoke series of events.
James Evelegh's editorial from today’s edition of InPubWeekly.
UK adspend rose 6.4% year-on-year to reach £5.6bn in Q2 2018 – the 20th consecutive quarter of market growth.
Jules Kendrick has been appointed Chief Executive of the Joint Industry Committee for Web Standards (JICWEBS), the cross-industry committee who define standards and best practice for digital advertising.
Dennis Publishing this week announced the appointment of Jack Griffin as Chair of the Board with immediate effect.
BPA Worldwide has announced the promotion of Richard Murphy to Executive Vice President.
This week, The Big Issue Magazine went on-sale with a major redesign. The content and look have been changed radically.
The Association for Online Publishing (AOP) yesterday announced a collaboration with The Media Trust to provide its members with a centralised pool of verified cookie data, via a single login.
The PPA Independent Publisher Awards were presented on Friday at a ceremony at the London Hilton Bankside.
On Thursday night at Hilton London Bankside, more than 300 people gathered to crown the winners of the 2018 PPA Digital Awards.