Six strategies for success
James Evelegh's editorial from this week's edition of InPubWeekly.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
James Evelegh's editorial from this week's edition of InPubWeekly.
The BSME has announced the shortlist for its 2018 BSME Talent Awards.
woman&home is partnering with online retailer JD Williams for the first Amazing Women 50 over 50 Awards. The cross-platform campaign celebrates the power of midlife women making a difference in their 50s and beyond.
Celloglas, a specialist in decorative print finishing, has achieved the BPIF HR Seal of Excellence Award across all of its three sites, demonstrating, says the company, their commitment to their growing team and making them a key part of the company’
ELLE, Hearst’s fashion media brand, has launched The ELLE List 2018, a new annual event, in association with THE OUTNET.COM.
Following a six-month long enquiry into the UK advertising industry, the House of Lords has recommended that digital industry bodies must be given more power to enforce rules on robust standards or face government legislation.
The international editions of AD/Architectural Digest are introducing a new look this spring.
PCS, a leading publishing software developer, yesterday announced that Rich Mansell has been appointed as Product Manager for Knowledge Publish, a role that also sees him joining the Senior Management Team.
The digital solutions team at ESco recently announced the launch of a new service aimed at publishers' editorial and production teams.
The PPA Festival 2018 is back at Tobacco Dock on May 10 with the theme All Together Now. This week, the PPA unveiled the line-up of speakers.
The Chelsea Magazine Company’s bridal magazine, Wedding Ideas, has announced a strategic partnership with Wedding Planner, the wedding planning website.
Senior officials from the NFRN, led by National President Linda Sood, have today (Wednesday April 11) called on the Competition and Markets Authority to investigate newspaper and magazine distribution in the UK.
Media 10 has acquired Publishing Media & Events Ltd, a move with bolsters Media 10’s offering within the kitchen and bathroom sector.
Now in its eighth generation, the latest version of vjoon K4 supports Adobe CC 2018 and features two new modules. Many details have been refined to streamline tasks and simplify work processes.
The Racing Paper, a new weekly newspaper from Greenways Publishing, launches this Saturday (14th April), just in time for The Grand National.