Empire produces Voice-Responsive Cover
Bauer Media’s Empire magazine is to push the boundaries of print publishing by producing a limited edition talking cover.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Bauer Media’s Empire magazine is to push the boundaries of print publishing by producing a limited edition talking cover.
What the publishers describe as a “bubbling, sizzling, sparkling” annual magazine devoted to food, drink and the hospitality industry is the latest addition to the stable of the media brand Monocle.
Earlier this year, Dennis launched a brand new rewards programme for The Week Society, using Clock’s Kado platform.
James Evelegh's editorial from this week's edition of InPubWeekly.
The winners of this year’s ACE Newspaper & Magazine Awards were announced last Thursday at the London Marriott Grosvenor Square.
Digital publishing company Exact Editions has partnered with Foam Magazine to launch a brand new digital edition to commemorate their 50th issue.
Priya Matadeen has been appointed Partnerships and Strategy Director, it was announced yesterday by Vanessa Kingori, Publishing Director of British Vogue.
Cycling Weekly has replaced its red masthead for the first time in over 50 years to reveal a pink special issue in celebration of the 2018 Giro d’Italia.
Josh Newis-Smith has joined Glamour as Celebrity and Entertainment Editor with immediate effect.
The team behind Bauer Media’s Take a Break and that’s life is to launch a new title.
The Independent Press Standards Organisation (IPSO) announced yesterday that it is creating a compulsory version of its low cost arbitration scheme.
Future has announced the appointment of Lucy Searle as Editor-in-Chief of RealHomes.com.
The Independent Press Standards Organisation (IPSO) yesterday launched a national newspaper advertising campaign helping readers know that the publication they are reading is produced against a strict professional code.
Bloomberg Media Group yesterday announced a three-year extension to a global partnership with Hyundai Motor Company with the launch of a new digital video series, ART + TECHNOLOGY.
Sarah Harris has been promoted to Deputy Editor of British Vogue with immediate effect, following her recent return from maternity leave.