Redesign for easyJet Traveller
easyJet Traveller magazine, published by travel media company Ink, last week unveiled its redesign.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
easyJet Traveller magazine, published by travel media company Ink, last week unveiled its redesign.
Meetrics has become the first European firm to be granted full accreditation by the US-based Media Rating Council (MRC) across both anti-fraud and viewability – including in-app environments.
The Independent Press Standards Organisation (IPSO) on Friday issued guidance for editors on how it uses its powers to require due prominence in corrections and adjudications.
VO5, the styling brand, is kicking off a year-long partnership with NME by headline sponsoring the NME Awards.
Gold Key Media Ltd becomes a fully owned subsidiary of Frontline Ltd on 1 November 2017 and will continue to be led by the existing management team.
The Association for Online Publishing (AOP) has today issued a call to arms for the industry to collaborate in raising digital media standards by signing a new Ad Quality Charter.
Placing a distinct emphasis on smarter living, says publishers Future, the new-look magazine is a direct response to the ever-expanding influence of technology on everyday life, showcasing aspirational tech and lifestyle products and reflecting the r
James Evelegh's editorial from today's edition of InPubWeekly.
In London recently to attend the FIPP World Congress, we grabbed five minutes with Jan de Roos, chief executive officer of multi-channel publishing and digital asset management specialists, WoodWing Software.
ELLE, Hearst’s fashion media brand, has announced the appointment of Kenya Hunt as Deputy Editor and Fashion Features Director of ELLE UK.
NME and Uncut have joined forces to release a one-shot dedicated to - and edited by - Liam Gallagher where the past meets the present, featuring archived content picked by Liam, along with a new exclusive interview.
Puzzles & Pastimes is a new magazine from Puzzler Media incorporating the expertise of dementia specialists Unforgettable.
Nadiya Hussain, the celebrity chef, food writer, author and TV presenter, is to join BBC Good Food as Contributing Editor.
WIRED has announced that Sadiq Khan, Mayor of London will open WIRED LIVE 2017.
James Evelegh's editorial from today's edition of InPubWeekly.