Anthem Publishing appoints ESco
ESco have announced that they have successfully migrated subscriptions for Anthem Publishing to ESco from another bureau.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
ESco have announced that they have successfully migrated subscriptions for Anthem Publishing to ESco from another bureau.
The Independent Press Standards Organisation (IPSO) has announced three appointments to its Complaints Committee: Nazir Afzal OBE, Miranda Winram and Andrew Pettie.
Google has announced that it has removed its First Click Free (FCF) requirement for ‘Search’ and is, in its place, offering ‘Flexible Sampling’.
Glamour has launched the #PoweredByWomen initiative, dedicated to supporting female creative talent within the industry with the aim of sparking conversation around gender equality.
Inflight magazine publisher Ink has unveiled its new look inflight magazine, Vera, for Virgin Atlantic.
Haymarket has announced a new multi-platform partnership in the Netherlands.
Nick Sargent has been appointed Publishing Director of British GQ and GQ Style, and of Wired Media Group, it was announced yesterday by Albert Read, Managing Director of Condé Nast Britain.
FIPP speaks to Martha Stone ahead of the 41st FIPP World Congress where she will be part of a panel discussion on AI and the media along with Francesco Marconi of the Associated Press and Alice Zimmerman of Google. The Congress takes place from 9-11
ShortList has today unveiled a collectors’ edition to celebrate the 10th anniversary of its launch.
Launching in October and featuring different content each month, ‘This Is’ is a series of magazines designed to cover topics that are trending and popular with kids right now.
JICWEBS – the independent body that defines best practice and standards for trusted online ad trading in the UK – has announced the next stage in the move to tackle online ad fraud.
Vanessa Kingori, MBE, is appointed Publishing Director of British Vogue, it was announced yesterday by Albert Read, Managing Director of Condé Nast Britain.
The Publishing Futures research is showing that publishers are finding it tough going in 2017, but are optimistic for 2018. Jim Bilton looks at what four key industry metrics tell us about the state of play.
James Evelegh’s roundup of some of the news stories that caught his eye during July and August.
Football’s back! But what is there to cheer in this competitive publishing sector? Alan Geere takes his rattle and rosette onto the newsstand.