Grazia publishes Triple Cover for Big Fashion Issue
Grazia magazine has unveiled an exclusive split cover run this week in celebration of its Big Fashion Issue.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Grazia magazine has unveiled an exclusive split cover run this week in celebration of its Big Fashion Issue.
Ahead of the upcoming 41st FIPP World Congress taking place in London on 9-11 October, Jon Watkins talks to one of the speakers – Hearst UK President and CEO James Wildman.
Jason Miles has been appointed Chief Financial Officer of Condé Nast International, effective immediately, it was announced on Friday by Jonathan Newhouse, Chairman and Chief Executive.
Abacus e-Media’s ADvance audience engagement platform provides Boat International Media with a full subscription management, customer services and fulfilment bureau operation.
Readly, the digital magazine newsstand, has just joined Distripress as it expands into new markets. Distripress is the trade association which promotes the global distribution of press products, both newspapers and magazines.
Twitter is Bloomberg’s exclusive live partner for the day-long event, and the live stream will be available globally via @business.
James Evelegh's editorial from today's edition of InPubWeekly.
Wallpaper*, the international design, interiors and lifestyle title, yesterday announced two changes to the senior editorial team. Tony Chambers becomes brand and content director and Sarah Douglas becomes the brand’s editor.
Jon Bickley, CEO of Anthem Publishing, answers our questions about his life in publishing.
Bauer Media’s Total TV Guide is to add more reader value by expanding its features, streaming and radio sections.
The Times Literary Supplement, the literary journal, has joined the digital magazine newsstand, Readly, with immediate effect.
On Friday, Trinity Mirror confirmed that it was in discussions to acquire Richard Desmond’s Northern & Shell, publishers of the Daily Express.
The three most annoying mobile ad formats are those which prevent content being consumed, according to a new study by Inskin Media, in collaboration with On Device Research.
Empire Magazine’s new Star Wars issue went on sale yesterday, celebrating the release of the next film Star Wars: The Last Jedi.
The Association for Online Publishing (AOP) has announced the agenda for its second annual two-day convention aimed, it says, at keeping digital publishers informed and inspired to take action and secure the future of online publishing.