Very and Bauer team up for Shoppable Video Content Campaign
Bauer Media has announced it is joining forces with Very to create shoppable video content, building fashion credentials for the V by Very collection.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Bauer Media has announced it is joining forces with Very to create shoppable video content, building fashion credentials for the V by Very collection.
James Evelegh's editorial from today's edition of InPubWeekly.
Children’s publisher Egmont Publishing has announced the launch of a new preteen magazine: Glitch.
Rhapsody, the cross-media production agency, has announced that Tim Moscow has been appointed as Managing Director of the business following Les Pipe’s decision to step down.
Online retailer Very and interiors media brand Ideal Home have joined forces to launch a homeware and furniture range for autumn/winter 2017.
NME is expanding its #LifeHacks event franchise into a year-long campaign in collaboration with the University of Salford. Sharing advice with young people on how to break into the creative industries, the initiative includes events, a work experienc
James Evelegh's editorial from today's edition of InPubWeekly.
Sabine Vandenbroucke is appointed to the newly created role of Chief Operating Officer of Condé Nast Britain, it was announced today by Managing Director Albert Read.
Hearst UK, the publisher of ELLE, Cosmopolitan, Good Housekeeping and Harper’s Bazaar, today announces a new role for ELLE Decoration’s Editor-in-Chief, Michelle Ogundehin.
The PPA has unveiled the shortlists for its 2017 Digital Awards.
This September, Westfield, the shopping centre, will host two weekends of live fashion and beauty content in partnership with three of Hearst UK’s brands: Cosmopolitan, ELLE and Esquire.
Canvasflow’s latest platform release sees a range of new features and updates designed to help further streamline the digital workflow and provide more control over how publishers manage their content.
Global Media Hub, a company specialising in the global copy placement of magazines and newspapers, has launched a new service for book publishers - Chapter Sampling.
Bauer Media’s Empire magazine is to publish the first in its ‘Empire Classics’ series, which it describes as the definitive guide to iconic cinema.
NewsLifeMedia, a division of Australia’s largest media company News Corp Australia, has appointed SPRYLAB technologies to publish their digital magazine content on Purple DS.