Hearst unveils bold new look for Jamie Magazine
Hearst Magazines UK is relaunching Jamie magazine, Jamie Oliver’s monthly food, travel and lifestyle title.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Hearst Magazines UK is relaunching Jamie magazine, Jamie Oliver’s monthly food, travel and lifestyle title.
The proportion of British adults online currently using ad blocking software has remained at around 22% for the last year, according to the latest wave of the Internet Advertising Bureau UK’s Ad Blocking Report, conducted online by YouGov.
Time Inc UK’s homes group has rebranded its housetohome website to idealhome.co.uk.
Issue 1 of Walnut, a new independent magazine focusing on health, food and people, went on sale last week.
Telford-based Precision Colour Printing (PCP) has announced details of an order for an RMGT (Mitsubishi) 1050 Tandem Perfector press to replace an existing Mitsubishi machine and enhance its sheet-fed printing capabilities.
British Vogue on Friday launched Vogue Fashion Update, the first Facebook Messenger bot that allows users to personalise their fashion news, says the company.
The VO5 NME Awards joined forces with MTV who employed its owned social ecosystem to drive maximum engagement with its audience around the event, which took place earlier this week.
Bauer Media’s movie magazine, Empire, has announced Three, the mobile network, as the exclusive sponsor of its annual Empire Awards for 2017.
Findings from the Association for Online Publishing’s 2016 Content Census indicate that video and mobile internet are top priorities for publishers; native advertising will continue to grow; and video inventory needs to increase to meet demand.
The shortlist for the British Media Awards 2017 has just been announced.
Brides magazine has appointed Haymarket Media Group to deliver its annual Brides The Show event, a leading luxury bridal show.
The PPA has announced the shortlist for its 2017 New Talent Awards.
Immediate Media, the special interest content and platform company, has appointed Lucy Bellamy as the new Editor of its garden design title, Gardens Illustrated.
Gold Key Media yesterday announced the creation of two new roles within its Publisher Sales Team.
Hearst Magazines UK, the publisher of Good Housekeeping, Cosmopolitan, Harper’s Bazaar and ELLE, has unveiled 6th @ Soho - a new dedicated events venue.