Time Inc launches TV Production Division
Time Inc UK has launched an in-house TV production arm that will create quality factual programming for major UK broadcasters.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Time Inc UK has launched an in-house TV production arm that will create quality factual programming for major UK broadcasters.
The Digital Magazine Awards announced the winners of the 2016 competition at a showcase event held at Proud Camden in London on 29th November.
DMD has announced the launch of a new location for its Media Wall concept, giving publishers new access to the travelling public in the Midlands.
Xavier Romatet, the President Directeur-General of Condé Nast France, will become a Vice President of Condé Nast International and join the organisation's Executive Committee.
The PPA held its annual Connect Awards on Monday, at the Hurlingham Club in London.
Perfect Wedding, Immediate Media’s monthly bridal magazine, is relaunching with a new look and an increased size from the March issue, on sale from 24th February 2017.
GQ has collaborated with The Woolmark Company on a digital campaign and photographic portfolio that aims to raise awareness of Merino wool and its use in activewear and sports luxe apparel.
Buxton Press is replacing four folders with two to achieve a net 20% increase in folding output. Two MBO folders and two older Stahlfolders will give way to two Stahlfolder TH 82-P machines, a model launched at Drupa this year.
The Scottish Magazine Awards 2016 were presented at a ceremony at the Radisson Blu Glasgow on 1st December.
Global Media Hub has announced a new service working in association with DLT Media.
The first edition of The Times’ revamped LUXX magazine, curated by new editor-in-chief Jeremy Langmead, is published in this Saturday’s edition of The Times.
Red Magazine, published by Hearst Magazines UK, has teamed up with Sofa Workshop to create a collection of sofas in collaboration with the editorial team led by Pip McCormac, Red’s Associate Editor (Living).
Leading styling brand VO5 has been confirmed as the official headline sponsor of the NME Awards 2017. In a brand content partnership, VO5 will place style at the heart of the NME Awards.
On Wednesday 23 November, Future plc published its results for the year ended 30 September 2016.
Dennis Publishing is proposing to close the print edition of Coach Magazine, with the issue dated Wednesday 14th December being its last.