Haymarket to host Google News Lab Fellow with Stuff
Haymarket has joined the Google’s News Lab Fellowship scheme and will host a journalism student in Summer 2017 with Haymarket's consumer electronic title, Stuff.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Haymarket has joined the Google’s News Lab Fellowship scheme and will host a journalism student in Summer 2017 with Haymarket's consumer electronic title, Stuff.
Teamrock, publishers of rock music magazines, has gone into administration.
Transformers: The Definitive G1 Collection, a new fortnightly partwork from Hachette Partworks, goes on sale 28th December.
The Art of Cross Stitch, a new weekly partwork from Hachette Partworks, goes on sale 28th December.
A new guide to the Editors' Code of Practice, under which the majority of Britain's newspaper, magazine and news website journalists work, has been published by the committee responsible for creating the Code.
The last working day before Christmas, December 23, marks six months since the UK voted to leave the European Union. Owen Meredith, Head of Public Affairs at the PPA, looks at what publishers want out of the looming Brexit negotiations.
Build Your Own R2-D2, a new partwork from De Agostini, goes on sale on 30th December.
Enhancing Your Mind Body Spirit, a new partwork from De Agostini, goes on sale on 30th December.
The PPA held its annual Independent Publisher Conference in early December at the Park Plaza Riverbank in London. One of the most interesting sessions of the morning was a panel discussion that explored ‘Strategies To Deliver Engaging And Profitable
Women’s Health has appointed Claire Sanderson as its new Editor.
This week saw the launch of Bloomberg’s new consumer mobile app experience, an increasingly critical component for the future of its digital growth, says the company.
At the end of November, Cxense chief product officer Tom Wilde presented his second ‘Top Tips’ webinar for us, in which he discussed how you can put your data to work and convert fly-by visitors into loyal subscribers with personalisation. Here are a
The winners of the PPA’s Independent Publisher Awards were announced at a lunch time ceremony at the Park Plaza Riverbank Hotel in London, last Thursday.
Wallpaper*, the international design, interiors and lifestyle title, is bringing the best in Danish interiors, craft, fashion and food to London with the Wallpaper* Hygge Christmas Market 2016.
MPP Global, who deliver eSuite, the integrated eCommerce platform, has announced a partnership with Lineup Systems, whose AdPoint product is the advertising platform solution for some of the world’s major media brands.