UPM Paper ENA plans to reduce graphic paper capacity in Europe
UPM is planning to permanently reduce its graphic paper capacity in Europe by 305,000 tonnes. The capacity reductions are planned to take place in Austria and Germany.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
UPM is planning to permanently reduce its graphic paper capacity in Europe by 305,000 tonnes. The capacity reductions are planned to take place in Austria and Germany.
PPA Scotland has announced the shortlist for the Scottish Magazine Awards 2016.
Shortlist Media today announces the launch of a new approach to commercial partnerships – bringing its senior editorial talent to an in-house creative studio, The Shortlist Media Family.
SPRYLAB, developer of e-publishing solution Purple DS, experienced growth during the first half of 2016 and now welcomes further partners.
Daniela Falcão, the long-time Editor of Vogue Brazil, has been appointed Managing Director of Edições Globo Condé Nast effective January 2017, it was announced by Jonathan Newhouse, Chairman and Chief Executive of Condé Nast International.
On 20 October, Cxense chief product officer Tom Wilde delivered one of our ‘Top Tips Webinars’ where he discussed how personalisation can drive digital revenue. In this article, Tom takes you through the questions put to him during the webinar.
Ingenta Audience, powered by Enreach, the latest addition to the Ingenta Advertising package, allows digital publishers to sell online newspaper and magazine advertising space by leveraging programmatic buying capability.
What Car? has launched New Car Buyer Marketplace, its new car buying service.
Stylist, a UK weekly magazine for young women, is marking the closing stages of the American presidential campaign with its first foray into the world of gaming.
Paint & Draw is a brand new magazine from Future plc aimed at the enthusiast artist of all abilities.
Gold Key Media partners with the Financial Times for Paris Charles de Gaulle and Le Bourget distribution.
Monthly publication Gasworld has upgraded to Abacus e-media’s new CXM platform and relaunched their website with a fully responsive redesign.
DC Thomson title, 110% Gaming, launches a one off Pokémon Special magazine.
Hearst Magazines UK, the publisher of Good Housekeeping, Cosmopolitan, Harper's Bazaar and ELLE, has appointed Georgina Holt to the position of Publisher for Cosmopolitan.
Time Inc UK has announced the appointment of Sean Igoe as head of market for its cycling group.