Circdata announces new HQ
Event registration and subscriptions specialist Circdata this week completes a move to its new headquarters in Newbury, Berkshire.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Event registration and subscriptions specialist Circdata this week completes a move to its new headquarters in Newbury, Berkshire.
ISBA has announced that Director General Mike Hughes will step down in the first quarter of 2017 after 10 years heading up the advertiser representative body.
The first issue of Country House, a new annual supplement from the House & Garden editorial team, accompanies the October issue of the magazine on sale Thursday 1st September.
Xavier Romatet, President & CEO of Condé Nast, Delphine Royant, publisher of Vogue Paris, and Emmanuelle Alt, Chief Editor of Vogue Paris, have announced that the first edition of the Vogue Fashion Festival will be held in Paris on 4th and 5th Novemb
JICWEBS – the independent body that defines best practice and standards for online ad trading in the UK – has announced the next stage in the move to tackle online ad fraud.
Wallpaper* Editor-in-Chief Tony Chambers will join the ES Magazine team as a columnist and contributing editor.
SPRYLAB technologies GmbH, a leading Berlin based mobile technology company, specialising within the digital publishing sector, has expanded into the UK market and have opened their first international office in Old Street in London.
Dennis has secured a partnership with Fitbit International, a leader in the connected health and fitness market, to launch the Fitbit Fifty Challenge.
The Rt. Hon the Lord Blunkett is this year’s guest speaker at The Printing Charity’s’ 189th Annual Luncheon on Thursday, 3 November 2016, at Stationers’ Hall, Ave Maria Lane, London.
Issue 158 of Retro Gamer goes on sale across the UK and the world this month, featuring a silver foil cover – to celebrate Sonic The Hedgehog’s 25th anniversary.
Global Media Hub has again been accredited as a Bulk Distribution Associate by ABC and, for the first time, its cruise ship distribution at Southampton Cruise Terminals has been added to the accreditation.
Uncut this week unveiled a new contemporary design and premium look for the magazine.
The Chelsea Magazine Company, the PPA Independent Publishing Company of the Year, has acquired Wedding Ideas, the bridal brand.
Gold Key Media this week announced the launch of its new digital platform.
Ingenta, a leading software provider to the publishing industry, has acquired 5 fifteen Ltd, software supplier to the magazine and newspaper sector.