ABC Results: publisher reaction
The ABC yesterday released the consumer magazine circulation results for the January–June 2016 period and publishers have responded with their interpretation of the figures.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The ABC yesterday released the consumer magazine circulation results for the January–June 2016 period and publishers have responded with their interpretation of the figures.
WoodWing has released Content Station 10, the new HTML5-based version of its editorial management application.
Hearst Magazines UK has promoted Duncan Chater, currently Group Publishing Director of Cosmopolitan, Red and Esquire, to its most senior commercial role, Chief Revenue Officer.
TeamRock yesterday announced an exclusive partnership with National ticketing agent, The Ticket Factory to create a new ticketing website called TeamRock Tickets.
Specialist media distributor to the hotel and hospitality industry, Gold Key Media has announced the appointment of Sally Ingram to the recently established role of Venue Sales Director.
The Independent Press Standards Organisation (IPSO) on Friday announced the details of its year-long arbitration pilot scheme and have confirmed the appointment of the Centre for Effective Dispute Resolution (CEDR) to run the pilot.
Horse & Hound, Time Inc UK’s equestrian weekly magazine and website, is launching its first awards to recognise the best riders and industry professionals.
This week saw the first edition of the new-look Autocar, which hit newsstands on 3rd August.
Gold Key Media is managing targeted promotional activity at the Rio de Janeiro Olympics for publishers aiming to capitalise on the unique atmosphere of the Games.
Cosmopolitan has teamed up with Rimmel London and Gold Key Media as part of its new distribution strategy.
Independent wedding magazine publisher, Ultimate Wedding Magazine is expanding into the US wedding market in the autumn of 2016 with a US edition.
Condé Nast Digital have announced that British Vogue and British GQ have collaborated with The Ritz-Carlton Hotel Company to create Room No.8 – a multi-sensory performance-art experience.
Empire, Bauer Media’s movie magazine, has announced American Airlines as the headline sponsor of Empire Live 2016.
One year after launching its “IAB Believes” initiative, the Internet Advertising Bureau UK is publishing a summary of the progress made to tackle the five biggest issues facing digital advertising.
Immediate Media, the special interest content and platform company has launched BBC Focus, the science and technology monthly and Mollie Makes, the craft magazine in France.