DC Thomson launches Danger Mouse magazine
DC Thomson has launched Danger Mouse magazine, a four-weekly magazine aimed at primary kids.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
DC Thomson has launched Danger Mouse magazine, a four-weekly magazine aimed at primary kids.
A new piece of research commissioned by Coach magazine and conducted by Join the Dots reveals that 2016 is all about a new type of man - The Alta-Male.
Haymarket has released its first statement on Modern Slavery in response to UK legislation, the Modern Slavery Act.
Guy Phillipson, the Chief Executive of the UK’s Internet Advertising Bureau has announced his intention to step down in January 2017 after exactly 12 years heading the industry body.
Egmont Publishing, the specialist children’s publisher, announces the launch of Finding Dory magazine.
The Association of Online Publishers announced the winners of their annual Digital Publishing Awards at a ceremony last Thursday at the Roundhouse in Camden, London.
Marketing budgets were revised markedly higher in Q2 2016 reveals the latest IPA Bellwether Report published yesterday. Despite this expansion, due to the uncertain outlook following the outcome of the EU referendum, Bellwether has downgraded its ads
Helen Brocklebank has been appointed Partnership Director of Harper’s Bazaar and Town & Country.
NME is joining forces with youth employment initiative Create Jobs to launch an event for young talent aspiring to break into creative industries.
Bloomberg Media’s Kinection, its expanded custom content studio, has formed a multimedia content partnership with BMW Group called #Beyond100.
This morning, Britain woke up to a new dawn and a new resident in Number 10, our second female prime minister. Owen Meredith, head of public affairs at the PPA, ponders what the new leadership might mean for the country in general and the publishing
Bloomberg Media and Twitter yesterday announced it has partnered to live stream select Bloomberg Television programs, including “Bloomberg West,” “What’d You Miss?,” “With All Due Respect” and the network's markets coverage.
Time Inc UK has acquired Collective Europe Limited, which trades as Collective UK, a leading provider of premium digital creative advertising solutions.
Opera, one of the world’s leading opera magazines, has announced the launch of its complete 66 year archive in conjunction with Exact Editions.
Yesterday, Quartz launched Quartz Index, which it says is a new way of measuring the global economy. It’s an interactive tool providing readers with a view of some of the biggest drivers of change in the global economy.