Coach releases debut ABC
Coach magazine, Dennis Publishing’s first launch into the free magazine market, yesterday celebrated the release of its first ABC (Jan-March 2016), with an audited distribution of 300,704.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Coach magazine, Dennis Publishing’s first launch into the free magazine market, yesterday celebrated the release of its first ABC (Jan-March 2016), with an audited distribution of 300,704.
Bauer Media has announced that Grazia, its weekly glossy, will launch its community issue created and built exclusively by the Facebook community via the Grazia Facebook page.
In recent years, there has been a surge in the launch of free titles. Having worked in the free distribution sector for thirteen years, Global Media Hub’s Stephanie Hyde is well placed to know what works and what doesn’t in the free distribution mark
Jazz magazine, Jazzwise, yesterday launched its complete digital archive in partnership with Exact Editions.
Marking the British Vogue centenary, over 130 brands across London and other UK cities including Edinburgh and Manchester will be paying tribute to the title, unveiling bespoke Vogue 100 window displays.
The winners of the British Media Awards 2016 were announced last night at an event at the London Hilton.
Bloomberg Media's Global Chief Revenue and Client Partnerships Officer Paul Caine this week announced the formation of Kinection, the company's newly imagined and expanded custom content studio.
The complete schedule for The PPA Festival 2016 has been unveiled, capped off with a special session featuring Vogue Editor-in-Chief Alexandra Shulman and former Vogue model-turned-actor and entrepreneur Lily Cole.
Lineup Systems, the advertising sales platform, continues its global growth with the appointment of a senior Chief Operating Officer and several other strategic hires.
Look yesterday launched a summer campaign to champion body confidence.
Immediate Media announces the launch of Clangers Magazine, based on the popular CBeebies show.
Playboy magazine has joined the digital newsstand, Readly, with immediate effect.
Cycling Plus, Immediate Media’s cycling magazine has launched in Malaysia following an exclusive licensing arrangement with Big Road Media.
Hearst Magazines UK has announced the appointment of Hayley Cochrane as Head of Digital Sales.
Archant has expanded its media portfolio with the launch of the Pink ‘Un Magazine – a new regional sports magazine.