BBC Good Food relaunch
BBC Good Food yesterday announced the relaunch of its print title, BBC Good Food Magazine, describing it as the biggest relaunch in the title's 25 year history.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
BBC Good Food yesterday announced the relaunch of its print title, BBC Good Food Magazine, describing it as the biggest relaunch in the title's 25 year history.
The PPA has announced the shortlist for its 2016 Awards.
Olive magazine has launched a new weekly food podcast to further extend its digital brand.
UK advertising expenditure grew at its highest rate since 2010 last year, increasing by 7.5% to £20.1bn, according to the latest Advertising Association/Warc Expenditure Report. There were, however, sharp falls in print advertising.
vjoon, a leading developer of software solutions for managing digital content and the maker of vjoon K4, has signed DPCI as a direct integration partner in the US market.
Immediate Media Co and digital providers Exact Editions have announced the launch of an extensive partnership.
Current affairs magazine Prospect has announced the launch of its complete 21 year archive in conjunction with Exact Editions.
On 28 May, Imagine Publishing will launch Explore History, its second new history magazine of the year.
The Ballroom Suite at The Dorchester Park Lane was the setting for last night’s ACE Press Awards, one of the highest accolades in British publishing and circulation.
Adestra, a leading provider of marketing technology software and services, yesterday announced it has appointed Matt McGowan as President.
The Spectator, the oldest continuously published magazine in the English language, has joined the digital magazine newsstand, Readly, with immediate effect.
Stephens & George Print Group based in Dowlais, South Wales is commissioning four new Muller Martini print finishing systems.
Bauer Media has announced changes to its specialist publication, Angling Times. From now, the title will follow a magazine format rather than its previous newspaper format.
Today, Affectv has announced it has made it on to The Leap 100 2016 – a list of the 100 most exciting, fast-growth companies in the UK, launched by Mishcon de Reya and City AM.
Digital publishing specialist, Abacus e-Media, has redeveloped its suite of enterprise products and produced Webvision Cloud, a Customer Experience Management (CXM) platform that provides an end-to-end digital publishing solution.