Cyclist to launch new edition in Italy
Dennis Publishing has announced the launch of Cyclist Italy in February 2016 with licensing partner Edisport Editoriale S.r.l.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Dennis Publishing has announced the launch of Cyclist Italy in February 2016 with licensing partner Edisport Editoriale S.r.l.
Hearst-Rodale, the joint venture between Hearst Magazines UK and Rodale Inc, has appointed Georgina Parrott as Sales Director with responsibility for Men’s Health, Women’s Health and Runner’s World in the UK.
Esther Kezia Harding's article in the Publishing Partners Guide 2016
Julian Townsend's article in the Publishing Partners Guide 2016
David Hepworth's article in the Publishing Partners Guide 2016
Adam Sherman's article in the Publishing Partners Guide 2016
The March 2016 issue of GQ celebrates David Beckham, with five exclusive covers.
Time Inc UK announced yesterday the launch of Powder, its new mobile-first beauty service, which provides personalised editorial content and product recommendations, according to users’ needs.
While 2016 is bound to bring more dizzying change and unexpected developments, Karlene Lukovitz presents her thoughts on a few of the newer issues and trends that will shape the magazine media business in the months ahead.
Board executives across all sectors have realised that "getting closer to the customer" is crucial to growth. Both business buyers and consumers have more choices than ever before, more ways to buy and a voice to give and get recommendations, and tal
Simon Collis talks to Mary Hogarth about winning the BSME Digital Editor of the Year (Consumer) award in November and reveals the key to achieving 2.5m unique users.
David Hepworth on magazines and beyond
Probably the biggest media story of 2015 was the existential threat posed to the publishing industry by the rise of ad blocking, a threat that shows no signs of going away in 2016. Tim Cain looks at the challenges posed, how publishers are responding
Digital magazines have travelled a long way in the last few years – from print-replica page-turners to interactive, rich, visual resources. However, some publishers have struggled to translate these improvements into significant new revenue streams.
With the growing importance of technology in the publishing world, it’s little wonder that IT teams have come out from behind the help-desk. Their role is increasingly sophisticated and business-critical. Meg Carter talks to Paul Lomax about the rapi