Vogue 100 exhibition opens
Alexandra Shulman, Editor-in-Chief of British Vogue, and fashion designer Leon Max this week hosted a private view to mark the opening of Vogue 100: A Century of Style at the National Portrait Gallery.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Alexandra Shulman, Editor-in-Chief of British Vogue, and fashion designer Leon Max this week hosted a private view to mark the opening of Vogue 100: A Century of Style at the National Portrait Gallery.
Immediate Media Co announces the launch of BBC Andy’s Amazing Adventures magazine, today, 10th February, aimed at “little explorers”.
The Independent Press Standards Organisation (IPSO) announced today that an overwhelming majority of its member publications have voted in favour of revised rules and regulations, giving it enhanced powers and greater independence.
DC Thomson has announced the launch Twirlywoos magazine, the magazine behind the hit CBeebies show that follows Great BigHoo, Toodloo, Chickedy and Chick seeking adventure wherever they go.
The PPA has announced the shortlist for the 2016 New Talent Awards.
The Net-A-Porter Group has announced the release of Porter’s first official audit showing a circulation of 170,038 – a growth of 10% year on year on its original publisher statement figure in February 2015.
BBC Focus Magazine has revealed a new look in their February issue, with a cleaner, smarter design and more spectacular photography.
Future plc has today announced Darren Murph as the Global Editor-in-Chief of their tech website techradar.com.
Asendia UK is expanding its Heathrow facility to meet what the company says is increased demand from customers who are using Asendia to fulfil their own increase in demand.
Bauer Media has chosen the Abacus e-Media’s ADvance audience management platform to test out paid online access for two of its consumer brands.
ATG Media, the magazine design and production company based in Peterborough, has bought Autometrix Publications for an undisclosed sum.
The March issue of Vogue contains 275 advertising pages, the largest number in a March issue in the history of the magazine.
Future plc yesterday announced that Daniel Dawkins has been promoted to Global Editor in Chief of its entertainment website, GamesRadar+, with immediate effect.
Air Business has been selected as strategic partner of the Professional Publishers Association (PPA) for the seventh consecutive year this February.
Millennials are changing the shape of luxury in the UK, according to the results of a new study from Hearst Magazines UK, published today.