Adestra gets equity funding for US expansion
Adestra, the email services provider, is preparing for significant US and global expansion thanks to a $7.2 million investment of equity funding from BGF (Business Growth Fund).
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Adestra, the email services provider, is preparing for significant US and global expansion thanks to a $7.2 million investment of equity funding from BGF (Business Growth Fund).
Fashion weekly Look yesterday announced the appointment of Gilly Ferguson to the role of editor. Gilly joins Look from her current role as style content director at sister Time Inc UK brand Now.
Time Inc UK yesterday launched listforlife.net, a new source of inspiration and practical career advice for 18-34 year-olds, guiding them towards careers and vocations they love.
Hearst Magazines UK has introduced Shared Spaces in the UK. A new digital advertising product which enables commercial partners to inhabit the same spaces as editorial content, Shared Spaces has been a key revenue driver for Hearst since its launch i
IBT Media, the global news organisation that owns Newsweek and the International Business Times, has appointed its first Chief Operation Officer for the UK and EMEA.
Bauer Media has announced an exclusive six-figure 11-week multi-platform campaign with the British Video Association (BVA) to amplify visibility of the UK home entertainment industry.
AdvantageCS, the subscription management solutions provider, has announced its newest client: Bonnier Magazine Data.
Haymarket Media Group has appointed Maryam Hamizadeh as the new Director of its Exhibitions division.
GamesRadar+, Future plc’s global entertainment website, surpassed its monthly audience record in December, being visited by 11.3 million unique users.
Time Inc Chairman and CEO Joe Ripp yesterday appointed Steve Marcopoto to the newly created position of President, Time Inc. International, formalising his role during the past year as a consultant.
Hearst Magazines UK, the publisher of Cosmopolitan, Good Housekeeping, ELLE and Harper’s Bazaar, has made key senior digital appointments at ELLE and Cosmopolitan.
Dermot O’Leary is joining British GQ as a Contributing Editor, it was announced yesterday by Dylan Jones, Editor of the magazine.
Horticulture Week is marking the 175th anniversary of the founding of its forerunner, The Gardeners’ Chronicle, this week with the first in a year-long series of articles republished from past editions.
Motor Sport magazine has launched a new online database containing over 10,000 motor racing results, over 7600 racing driver profiles and 750 circuits (plus 1400 different layouts).
Jonathan Pile has been appointed Deputy Editor of Bauer Media’s flagship film and entertainment brand, Empire.