New partwork: Draw The Marvel Way
Draw The Marvel Way, a new fortnightly partwork from Hachette, went on sale yesterday, at a launch issue price of 99p.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Draw The Marvel Way, a new fortnightly partwork from Hachette, went on sale yesterday, at a launch issue price of 99p.
New Scientist has partnered up with JC Decaux, the outdoor media owner, to encourage people to “LiveSmarter”, with bite-size tips on topics such as diet, exercise, brain training, relationships and technology.
Gold Key Media has announced the appointment of Clare Scott (nee Planner) as Senior Account Manager, strengthening the Publishing Division during the company’s continued growth.
Haymarket yesterday filed annual accounts showing an 8.7 per cent rise in operating profits to £5.03m (2014: £4.6m) on revenues of £184.3m (2014: £187.0m) in the financial year ending 30/6/2015, amid what it describes as solid demand in its consumer
COMAG, the distribution and logistics management business, has appointed Charlotte Macleod to take over day-to-day running of the company as General Manager with immediate effect.
With effect from 1 January 2016, Mike Newman takes over as Chairman of the Press Distribution Forum (PDF) on behalf of the News Media Association (NMA).
River has announced the launch of its first owned media - Eat Healthy magazine, which it describes as a new omni-channel brand, spearheaded by a gorgeous new print product.
The Dish is a food magazine that features in the Sunday Times every month. The December 6th issue was sponsored by M & S and received a special glitter varnish finish on the front and back cover.
The Future Media Lab, EMMA’s think tank on media innovation and public policy, launched a new innovation project earlier this week: Accelerating European Media Innovation and Insights (AEMII).
The Glamour Beauty Festival in association with Fiat will debut in March 2016, it was announced yesterday, with tickets now on sale for the two-day event.
The Autocar India TV show is set to move to the Times Network Channels – ETNow and Times Now.
Cosmopolitan has partnered with four beauty brands, Origins, DKNY, Clinique and Smashbox to launch a national multi-platform beauty campaign to celebrate and champion inclusivity and diversity in the UK.
The winners of the 2015 Scottish Magazine Awards, organised by PPA Scotland, were announced on 16 December.
As an environmentally conscious organisation, Air Business Group has achieved ISO 50001 certification and says it remains committed to keeping their carbon footprint down.
A study of behaviour and attitudes towards social media among 180 agencies and brands by The Internet Advertising Bureau UK (IAB) reveals Coca-Cola and Nike are leading the way in social media marketing – but that the discipline still has a lot of gr