InDigital
Jim Foster on the world of ePublishing
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Jim Foster on the world of ePublishing
David Hepworth on magazines and beyond
Human beings have evolved to act on the emotional response evoked in the brain by stories. And that means copywriting that targets the same part of the brain has a better chance of success, says Andy Maslen.
Now it's not enough to know your onions - you have to read about them too. So, who's coming up smelling of roses in the gardening magazine sector and who's in need of some care and attention? Alan Geere has been down to the potting shed to find out.
Having a large database of affluent people and a trusted relationship with them, presents commercial opportunities for publishers. Jess Burney looks at one of Immediate Media’s exciting new revenue streams.
As the screens we use get smaller, so does the pressure to ensure that only useful search results get displayed on them. Google is ramping up its efforts to improve the user experience and, writes Amanda Watlington, publishers need to continually rev
Top Gear, much in the news recently, has got its app just right, according to Dickon Ross (writing before Chris Evans’ recent appointment to the Top Gear hot seat). Fun, well presented, brilliantly written and, unlike many others, with just the right
Since its launch in November 2014, Newssolutions – the publisher-facing team at News UK – has been sharing its vision for the sustainable future of the UK newspaper and magazine industry. In the third part of the series, Martin Maynard focuses on New
Readly, the all you can read magazine app for tablets and smartphones, has signed a cooperation agreement with Deutsche Telekom.
The final paid-for issue of NME's weekly magazine will be a bumper commemorative special, with a cover date of 1 August, taking a nostalgic look back at the greatest moments from NME's 63 year history.
censhare have appointed former Adobe UK Sales Manager, James Watson, to spearhead its push into the publishing and corporate marketing space.
NME partners with Kyodo Tokyo Inc. to launch www.nme-jp.com as well as a series of live NME-branded music events in the country.
Archant Bride has launched a new-look website in support of its regional magazines and events, providing brides and grooms-to-be with inspiration, planning tools and access to the Bride wedding titles, shows and fairs.
A cover of The Big Issue designed to mark Remembrance Day has been voted by the public as Front Cover of the Year at The PPA Awards 2015.
Weapons That Won WWII, a special issue from the Mirror Collection, goes on sale 16 July, priced £5.99.