heat appoints new editor
Bauer Media announced that Suzy Cox has been appointed Editor of heat.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Bauer Media announced that Suzy Cox has been appointed Editor of heat.
DMGT reported an underlying revenue decrease of 1% on last year's third quarter in its Q3 trading update.
Austin, Texas is partnering with the new NME as headline sponsor for the NME Awards 2016, which will see the campaign reach a bigger UK and global audience of music fans than ever before.
Allan Wai has been hired as Bloomberg Media's first global commercial creative director, announced the company's head of global media marketing, Zazie Lucke.
Colour Me Happy, a oneshot from Practical Publishing International, goes on sale 30 July, priced at £4.99.
Retro Gamer, the retro games magazine, announces a strategic partnership with online retro community GamesYouLoved.
As a nation of crime watchers, Britain's enthusiasm for real-life lawbreakers gets a further boost with the arrival of a new magazine – Real Crime – launched by Imagine Publishing.
Egmont Publishing, a specialist children’s publisher, announces the launch of LEGO Star Wars magazine.
Imagine Publishing has announced an exclusive split run of two amazing covers; certain to excite audiences across both the UK and US.
TopGear.com has had a radical overhaul, with a fully optimised, stunning, immersive redesign and a host of new features to appeal to petrol heads the world over.
The World of Fine Wine has announced the launch of it’s entire 11 year archive. The complete series of 48 issues, 5,000 pages and counting of the monthly magazine are accessed at the click of a button via Exact Editions, as well as the iOS and Androi
Magnetic commissions Media Native’s David Brennan and Join The Dots to lead first bespoke research study.
MusicRadar has revealed a new responsive website and the addition of Simon Arblaster and Michael Brown to the editorial team.
COMAG has announced changes to its client relations and business development teams.
A new report compiled by FIPP – the Worldwide Magazine Media Association – shows that total Internet adspend could overtake traditional television adspend by as early as 2017 on a global level.