Catholic Herald changes from newspaper to magazine
The Catholic Herald will change from a weekly newspaper to a weekly magazine with the December 5 issue – the first major transformation of its format since its launch in 1888.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The Catholic Herald will change from a weekly newspaper to a weekly magazine with the December 5 issue – the first major transformation of its format since its launch in 1888.
Nick Sargent has been appointed Commercial Director of Wired, it was announced yesterday by Nicholas Coleridge, President of Condé Nast International and Managing Director of Condé Nast Britain.
Digital screens and video are the top trends for media buyers in the current media landscape according to the Future of ABC report unveiled at the International Federation of Audit Bureaux of Circulation’s (IFABC) biennial assembly, which took place
The January issue of Bauer Media’s Empire magazine is guest edited by Peter Jackson, director of The Lord Of The Rings and The Hobbit trilogies.
Immediate Media Co, the special interest content and platform company, has unveiled Immediate Insiders: a new insight service offering agencies and clients access to its panel of nearly 12,000 ABC1 consumers.
The AOP held its annual autumn conference in London on 9th October. James Evelegh listened as keynotes and panelists spelt out the main opportunities and challenges facing digital publishers today.
There aren’t many publishing houses that could boast expertise in both renal nursing and the works of Sonny Rollins. But, writes Jo Bowman, a combination of opportunity and personal passions has driven Mark Allen Group to develop a stable of titles a
In the media game, including magazine media, the advantages of economies of scale and massive reach to key demographics have reached a tipping point, writes Karlene Lukovitz.
Accentuating the positive is always a good place to start in sales, and Julian Lloyd-Evans, managing director, advertising at Dennis Publishing, sees lots of positives in today’s publishing environment. But, as he tells Meg Carter, publishers need an
The sixth annual Content and Trends Census digs below the surface to identify the key challenges facing publishers and their priorities over the next twelve months. Mobile features prominently! Tim Cain looks at this and other themes uncovered by the
David Hepworth on magazines and beyond
Jim Foster on the world of ePublishing
Winning the double at this year’s PPA Awards - for magazine and brand of the year – was a deeply satisfying reward for almost ten years of endeavour by the woman&home team. Publishing director Linda Swidenbank looks at some of the main milestones alo
It weighs in at two kilogrammes, has 510 pages and costs more than £5 to put in the post. But Love magazine is just one of a number of high end publications that attract readers with a heady mix of fashion, art, travel and up-to-the minute style and
In the scramble to find a sustainable business model, writes Luke Bilton, one of the hardest things can be to figure out where to place your bets. Which of this year’s great hopes are worth investing in and which will prove to be a distraction?