Launch: Shooting Stars
Shooting Stars, a new annual from Pole Star Publications, is the “the ultimate guide to photographing the universe”. It goes on sale on 4 December, priced £7.99.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Shooting Stars, a new annual from Pole Star Publications, is the “the ultimate guide to photographing the universe”. It goes on sale on 4 December, priced £7.99.
Iconic British comic characters Dennis the Menace and Gnasher have launched in Minecraft.
ATG Media, a part of AT Graphics Ltd, have overhauled their corporate communications including a full website launch backed by targeted email campaigns.
Racing Post, the daily racing news and betting publisher, has unveiled its very own Christmas jumper range – four designs went on sale yesterday to raise funds for the Injured Jockeys Fund and Irish Injured Jockeys.
Good Housekeeping begins an exciting new chapter in its 90 year history with the launch of a dedicated online Good Housekeeping Institute.
Glamour, Condé Nast’s women’s lifestyle magazine, has commissioned YouGov to explore how the Glamour reader is consuming content, on what platforms, at what time of day, and with what sort of mind-set.
This week, How To Spend It, the Financial Times’ luxury lifestyle magazine, celebrated its 20th anniversary with a party at the Corinthia Hotel in London.
In a first for both GQ.co.uk and Bally, their collaborative inaugural native advertising video campaign went live yesterday.
Advantage has announced the signing of their newest client: Intescia.
Sleepy Hollow Magazine, a new quarterly title from Titan Publishing Group, is a comic based on the popular television series. It goes on sale on 27 November, priced £4.99.
S. I. Newhouse IV has been appointed Business Director of Ars Technica UK, it was announced yesterday by Nicholas Coleridge, President of Condé Nast International and Managing Director of Condé Nast Britain.
Hearst Magazines UK has announced the appointment of Ella Dolphin as Group Commercial Director.
Last week, Future launched GamesRadar+, bringing together the worlds of games, film and TV into one mega-site. David Bradley, the new site’s editor-in-chief, answers the questions.
Bauer Media has announced that it is working with Viber – the mobile communications app that allows you to connect freely with your friends and family – to deliver exclusive content for Viber Public Chats from two of its brands, Kiss and The Debrief.
The debut Condé Nast International Hackathon took place this weekend, the 22nd and 23rd of November, at the Condé Nast College of Fashion & Design in London.