PPA Digital Awards 2014 – winners announced
The winners of the 2014 PPA Digital Awards have been unveiled, highlighting some of the best digital talent in magazine media.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The winners of the 2014 PPA Digital Awards have been unveiled, highlighting some of the best digital talent in magazine media.
Square Up Media has announced that its popular digital platform Foodism will be launched as a monthly print title in December.
Earlier this month, TeamRock launched a new online subscription model, TeamRock+. Editorial Director Scott Rowley answers our questions.
Future plc yesterday launched GamesRadar+, which it describes as the most significant development ever of its global GamesRadar.com brand.
Today ABC is issuing the first industry report and certification for online ad viewability measurement products. The new report compares the capability of products to measure viewability simply and equally, delivering trust and transparency to a comp
The 2014 British Society of Magazine Editors Awards were held at The Brewery in London on the 17th November.
Cracked Eye, a new digital magazine aiming to spark a “short-form revolution that caters for time-poor, tech-rich readers”, launched yesterday.
The Bauer Media Group is bringing People magazine from the US to Germany.
DHX Brands, the consumer products arm of DHX Media, has signed a deal with Egmont Publishing for International rights to produce a range of children’s books and magazines based on the upcoming series of Teletubbies.
Future Fusion, Future plc’s in-house content marketing agency, has been awarded an exclusive partnership deal by Microsoft, for a one month long promotional campaign for the Xbox One exclusive, Sunset Overdrive.
Condé Nast International Restaurants has partnered with PACE Development and Fourteen Points to launch Vogue Lounge Bangkok, which opens for service this Saturday 15th November.
The Directors of Mark Allen Holdings, parent company of the Mark Allen Group of companies, have reported another record year.
AdvantageCS has announced its newest client: Talentum, a B2B publisher based in Helsinki, Finland.
The Prince of Wales has written a special opinion piece to commemorate his birthday in this week’s issue of Country Life, published yesterday.
isubscribe, the online magazine and newspaper subscription superstore, yesterday announced a host of new initiatives and partnerships aimed at maximising subscription sales over the key Christmas period.