Celloglas unveils new velvet coating
Celloglas has developed a new coating product called Cellocover Velvet.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Celloglas has developed a new coating product called Cellocover Velvet.
Cake Decorating – Diamond Jubilee Special Edition, a special issue of the Cake Decorating partwork collection from De Agostini, goes on sale 16 May, priced £6.99.
Strategic content agency Redwood has announced key changes to its management board to drive future growth and reflect the changing shape of its business.
IPC media has unveiled its new corporate website.
Dirt, Factory Media’s mountain bike magazine, is getting ready for Summer with a freshen up.
Express KCS Inc, a leading independent provider of creative and advertising production solutions, has unveiled a new corporate identity.
The Cricket Paper, a weekly publication packed with news, reports and features about the sport, is to launch on May 16.
The NFRN is this month holding its first ever suppliers’ conference when it will unveil what it describes as the £6 billion opportunity offered by working with members.
Seven, the multi-platform content marketing agency, has won an Institute of Internal Communications (IoIC) Award of Excellence for best agency of the year.
The PPA has revealed the full programme of seminars taking place at the free exhibition running alongside its 2012 conference next week.
The Stationers’ Company is holding a roundtable event on 21 May focusing on realising shareholder value through mergers and acquisitions.
The Health Initiative, a pact between the 19 international Editors of Vogue to encourage a healthier approach to body image within the industry, was announced yesterday.
Autism Eye is the latest addition to the 2012 Media Pioneer Awards shortlist. Carolyn Morgan looks at their rapid journey from launch to growing international readership.
Bauer Media has announced further investment into its magazine portfolio with the launch of Wonderpedia which will carry the strapline ‘Discover something new’.
Haymarket’s Practical Caravan magazine has undergone a major redesign for the new season, with an all-new look appearing in its June issue, now on sale available on UK newsstands.