Tatler announces judges for Teen Tatler model search
Tatler magazine has joined forces with Storm Model Management to launch a search for the face of Teen Tatler 2012.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Tatler magazine has joined forces with Storm Model Management to launch a search for the face of Teen Tatler 2012.
Country Living and House Beautiful, published by Hearst Magazines UK, are launching their first-ever sofa collection, available exclusively at DFS, Britain’s leading sofa retailer, from 19 March.
The Daily Telegraph's award-winning sports correspondent, Gareth Davies, has been appointed as the International Paralympic Committee's (IPC) representative on the IOC's Press Commission.
Incisive Training has recently delivered a training course for the Central Bank of Nigeria in Lagos, its first course in central Africa.
Wyndeham Group has announced it has renewed its printing contract with Condé Nast Britain, to cover the next three years.
The Professional Publishers Association (PPA) has announced the line-up and agenda for its annual PPA Conference on May 9, 2012.
Harper’s Bazaar, the monthly fashion magazine published by Hearst Magazines UK, has appointed Jenny Dickinson as Acting Editor.
Following an extensive pitch process The Royal British Legion has appointed John Brown to revamp their membership communications programme.
Slash – one of the most legendary and revered guitarists in rock history – is set to unleash his second solo album as part of an exclusive Classic Rock collector’s Fanpack on 21 May.
Redwood, one of the UK’s leading strategic content agencies, has appointed former editorial director of Haymarket Business Media, Dominic Mills as Royal Mail group editor.
IPC Connect has announced the appointment of Catherine Westwood as editor of Woman’s Own, one of the UK’s best loved women’s weekly magazines.
Publishing Expo 2012 reports 9% pure visitor growth, a cumulative growth of 19% in 2 years under UBM.
CDS Global has appointed Clare Kulik as Head of Customer Services.
Carolyn Jones, a student from the MA Publishing course at London College of Communication (LCC), has been awarded the Macmillan Student Achievement Award for outstanding work in magazine publishing.
The first edition of The Co-operative Food magazine is now available to pick up in store and online, produced by River.