Immediate Media Co promotes Andy Healy
Andy Healy has been promoted with immediate effect to the position of Publishing Director at Immediate Media Co.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Andy Healy has been promoted with immediate effect to the position of Publishing Director at Immediate Media Co.
Elektro, a US dance music magazine from Harris Publications, launches in the UK on 27 March, priced £3.99.
Former Emap and Hachette boss, Kevin Hand, took over as chairman of the PPA in February. Here, he tells Meg Carter about what publishers need to do to ensure a successful future in the multi-platform publishing world.
While much of the excitement in publishing now is over the sexy, digital action, there’s one department that, with one eye on the new world, must still keep the other fixed firmly on the presses. Jo Bowman talks to senior production executives about
Miles Publishing was founded in 2002 with one title, one event, extensive market knowledge and a determination to provide their all important advertisers with a fully rounded service. Miles Bossom, MD, explains how he has grown the company since.
Singletrack is an independent magazine and website for mountain biking enthusiasts. They have been shortlisted, Carolyn Morgan writes, for the 2012 Media Pioneer Awards for their subscriptions success, focused on their print magazine.
With a big year ahead for British sports, special interest media group Future Publishing has just announced a high profile partnership between its sports portfolio and UK Cycling Events, Britain’s dedicated sporting events organiser.
Changes have been agreed to the ABC Reporting Standards for Business Magazines.
Multi-platform content marketing agency Seven has appointed Jessica Gibson to a newly created role of Managing Director.
Starburst, the classic science fiction title, originally launched in 1978, is relaunching this month.
The first of series of major improvements to Investment Week hit the streets at the end of February with a new-look for the magazine and website.
Centaur Media plc, the business information and events group, has published its half year results for the six months ended 31 December 2011.
Mike Perlis, President and CEO of Forbes Media, has announced the promotions of Meredith Kopit Levien to Chief Revenue Officer, and Mark Howard to the new position of Senior Vice President of Digital Advertising Strategy.
Taylor & Francis Group has announced that it will be adding 7 journals to its Science, Technology and Engineering portfolio.
Robert Harding World Imagery, a leading independent specialist in travel and global imagery, has acquired Specialist Stock.