Haymarket run Asian licensee training day
Thursday 22 March saw Haymarket undertake its second Asian licensee editorial training day, which was held at the Goodwood Park Hotel in Singapore.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Thursday 22 March saw Haymarket undertake its second Asian licensee editorial training day, which was held at the Goodwood Park Hotel in Singapore.
The Beatles, a special Newsweek commemorative issue celebrating 50 years since the release of Love Me Do, goes on sale 30 March, priced £8.95.
Telegraph Media Group (TMG) has produced two glossy souvenir magazines to commemorate The Queen’s Diamond Jubilee.
Metallica, one of the world’s biggest rock bands, have come together with rock title Metal Hammer, to produce a one off magazine to commemorate their unique Fan Club Only live events – Metal Hammer & So What? Presents Metallica The 30th Anniversary E
River has announced the launch of their first issue of ‘Life & Living’ magazine for McCarthy & Stone Retirement Lifestyles.
Emap is considering selling off its magazines and most of its conferences, as Apax tries to salvage some of the money from its joint investment with Guardian Media Group.
Decanter, the organiser of the Decanter World Wine Awards, is launching a new wine competition in Asia.
The magazine increased its cover price to £5.95 and changed its frequency from monthly to bi-monthly from the first issue of 2012.
For specialist publishers, writes Carolyn Morgan, the app store is a great channel for highly targeted niche content. Blaze Publishing has earned a place on the 2012 Media Pioneer Awards shortlist with its portfolio of iPad editions of shooting speci
Elizabeth - A Personal Portrait, a new oneshot from Sport Media, goes on sale 2 April, priced £4.99.
The launch issue of Dutch Vogue is on-sale now.
NME has announced a cross-platform partnership with J.D. Roots to support local music and search for Britain’s Best Small Venue.
Denmaur Independent Papers, one of the UK’s leading independent paper merchants, hosted a seminar at the event and also launched its new paper calculator - the latest addition to its “Service Plus” platform.
The Institution of Engineering and Technology (IET), Europe’s largest engineering society, has acquired the full publication list of renowned US electromagnetics engineering specialist, SciTech Publishing of Raleigh, NC.
Online stock photography site Alamy and epa european press agency have signed a strategic commercial agreement which allows Alamy to sell epa's award winning news, sport and entertainment images including the epa archive.