Staying one step ahead
Amy Bell explains why training and development are vital to your publishing business.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Amy Bell explains why training and development are vital to your publishing business.
Wyndeham Group is proposing to make 58 redundancies that will affect all departments at its Wyndeham Roche web offset printing subsidiary in Cornwall. A 30-day consultation process has commenced.
The PPA (Professional Publishers Association) has launched the PTC New Talent Awards to celebrate the brightest new stars in consumer and business media publishing.
Future, the special-interest media group, has announced the appointment of Neil Perera as UK Head of Ad Operations.
The PPA (Professional Publishers Association) has launched an information pack aimed at helping independent retailers optimise magazine sales.
Future, the special-interest media group, has revealed a new series of premium mini-magazines for its leading performance PC title, PC Format.
UBM plc has announced that it has signed an agreement to sell its UK entertainment and technology product portfolio to Intent Media Ltd for a total cash consideration of £2.4m.
SFX, Future’s sci-fi, fantasy and horror magazine, has a new spin on superhero fever this month – giving away Captain America’s iconic shield ahead of the release of Captain America: The First Avenger in July.
Saint Michael Studios launches 'I Love Christian Music Magazine' – the new bi-monthly A4 glossy featuring the latest Contemporary Christian Music news, interviews, articles, reviews, competitions and more.
Issue 91 of Retro Gamer will feature a stunning blue foil cover that folds out to reveal a glorious vista of Green Hill Zone – the perfect way to celebrate Sonic The Hedgehog’s 20th birthday.
The NFRN has roundly condemned an announcement issued by Smiths News who has advised its retail customers that carriage charges are to increase by 4.86% with effect from 7th August 2011.
The Link, employee newspaper of security giant G4S produced by communications agency Pressgang, hailed as the UK’s best print publication for staff.
Warner Leisure Hotels, the 4 star holiday hotel group, has appointed August Media as its new publishing agency.
Nearly 100 newsagents dropped in when news wholesaler Menzies and the NFRN teamed up to run special advice sessions on SAP.
NME has announced a partnership with camera manufacturer Nikon UK for the second year of the NME Music Photography Awards competition.