Publishers fighting a permission shortfall
David Milnes of research consultancy Kytemark Solutions discusses a new report on marketing consent.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
David Milnes of research consultancy Kytemark Solutions discusses a new report on marketing consent.
Gurgle, the new alternative monthly title from Media 10, has its newsstand launch on 7th July. The cover price is £2.
IPC Media has announced the appointment of Anna Foster as group head of PR, effective 18 July 2011.
Point Group Business Unit and Bloomberg Businessweek have announced plans to publish a Polish-language edition of the magazine starting in the autumn of 2011.
COMAG has appointed Sean Farmer in the newly created role of Head of Retail. Sean will begin his induction into the new role during July.
COMAG Forward has appointed Rob Everett as its new Head of Client Services. Based in Coventry, Rob will start his new job on 1 July.
The £1 million plus spend in its finishing department, heralds the start of a major capital investment programme for Buxton Press.
Creative Review is helping to mark the gallery's major new exhibition, The Vorticists: Manifesto for a Modern World.
LexisNexis UK, a leading global provider of content-enabled workflow solutions, has announced that New Law Journal (NLJ) has been awarded the Legal Journals Award 2011 by the British and Irish Association of Law Librarians (BIALL).
The Classic Motorcycle, the monthly title from Mortons Media Group, gets a new look with the August issue.
UBM plc has announced that it has acquired a 70% equity stake in the Catersource catering conference and exhibition and its sister show Event Solutions, which serves the event planning industry.
A change has been agreed to the ABC Consumer Magazine Reporting Standards.
Haymarket Media Group has announced that Jim Holder has been appointed editor of Autocar.
Kate & Diana: William’s Two Loves, a new oneshot from Sport Media, goes on sale on 27th June, coverpriced £4.99.
In 2011, nearly 100 journal titles came to Taylor & Francis, building still further on the previous year's record of 70.