Jane Toft named new Editor of Mollie Makes
Future has announced the appointment of Jane Toft as Editor for its new Mollie Makes magazine.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Future has announced the appointment of Jane Toft as Editor for its new Mollie Makes magazine.
Mollie Makes, the new launch from Future, has broken the company’s own record for new subscriptions during its first month on sale.
IOP Publishing (IOP), one of the world’s leading publishers in physics and related sciences, has announced the appointment of Dr Graham McCann as head of product management and innovation.
Bauer Media has teamed up with BlackBerry in a groundbreaking, multiplatform, interactive campaign to mark the 25th Anniversary of its influential music monthly Q.
JUKE, a twice yearly music title, makes its debut at the newsstand on 30 June, cover priced £4.75.
A week after being challenged to make money out of junk disposal, the eight surviving would-be entrepreneurs of The Apprentice were this week required to create and market two magazines – within a mere 36 hours. Peter Jackson tuned in to see how they
The winners of The PPA Awards 2011 were revealed on June 15 at a glittering ceremony made extra special by a surprise appearance from actor and literacy champion Henry Winkler.
Marketing Week Live, the two-day industry event for “forward-thinking marketers”, has just launched a new mobile website to allow users to access all the event information and register to attend while on the move.
Sue James, editorial director of woman&home and Essentials, is expanding her responsibilities at IPC Media to include Woman, the market leading women’s lifestyle magazine.
Bauer Media's music monthly MOJO has released a special edition that will cover all the happenings from the decade that shaped the modern world as we know it.
To celebrate its 130th anniversary, and in support of Pilgrim’s Hospice, Ashford-based printing company Headley Brothers hosted a company Open Day on Saturday 11th June 2011, at its Invicta Press premises.
Take Better Travel Photos, a new annual from Wanderlust Publications, goes on sale 23 June, cover priced at £4.50.
Dennis Communications has announced a deal with The Big Issue to provide a number of key publishing services for their magazine.
Informa plc has announced two strategic acquisitions in Brazil.
Celloglas has finished this year’s Design Week Top 100 supplement with a Cellotouch lamination and spot UV, giving the cover a luxurious soft to touch feel and matt finish, plus a spot UV providing a glossy contrast in select areas.