PPA response to the Bailey Review
The PPA has issued its response to the recent report by Reg Bailey looking at the sexualisation of children.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The PPA has issued its response to the recent report by Reg Bailey looking at the sexualisation of children.
A special one-off edition of Heroes, the official publication of Help For Heroes, is being produced to coincide with Armed Forces Day on 25 June and £1.50 of the cover price of the magazine will go to the Help For Heroes charity.
An innovative gadget that could save drivers a small fortune in fuel bills has been named the top car accessory of 2011 by Auto Express in its annual Product Awards.
The Informa Print Group has announced that Ipex 2014 will return to London with the relocation of the exhibition to London’s ExCeL international exhibition and conference centre.
Customer publisher River has announced a raft of new hirings to the management team.
The growth of dsb.net continues with the announcement that they have been awarded the fulfilment contract for New Internationalist magazine.
Bauer Media has announced the launch of Outdoor Fitness, the first new magazine aimed at the ever-growing number of people who are getting fit and planning their next big challenge, outdoors.
Bauer Media’s FHM has appointed Lee Holden as Fashion Director to oversee and edit FHM’s main fashion section as well as the successful brand extension, the bi-annual FHM Collections.
Bauer Media has announced that James McMahon has been appointed as Editor of the UK's “loudest and most exciting music weekly”, Kerrang!
Hearst Magazines International has moved to strengthen its management team as a result of the recent acquisition of Lagardère Active’s international magazine business, it has been announced by Duncan Edwards, president and CEO of Hearst Magazines Int
South Yorkshire based catalogue and magazine printers Garnett Dickinson Print, has just printed three prestigious Final and Matchday Programmes published by Haymarket Network.
Future has published a special edition cycling bookazine aimed at encouraging more people to take up the sport in time for National Bike Week, later this month.
Wyndeham Group has announced that it has secured a new three-year contract to print The Economist magazine and associated publications.
The National Readership Survey (NRS) released the latest top-line readership estimates on Friday.
Springer has launched a network of job sites designed to attract and showcase the “unique talent and highly qualified audience” that uses Springer tools.