Adnami expands capabilities
Adnami has announced the expansion of its programmatic capabilities with enhanced curation services.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Adnami has announced the expansion of its programmatic capabilities with enhanced curation services.
Time Well Spent Group has appointed InterMedia for newsstand marketing and distribution services.
Time Out has announced it will be an official media partner for Pride in London 2025.
The Chelsea Magazine Company, part of Telegraph Media Group, has announced the appointment of Carl Richardson as editor of Classic Boat magazine.
Kennedy Publishing has announced the launch of Action! Magazine.
What precisely is an adtech stack, and how should you go about building one? We grab five minutes with Julia Linehan, founder and CEO of The Digital Voice, to find out.
The Capilano Review has preserved its fifty-year history with the launch of a complete digital archive.
Portsmouth-based print and mailing specialist Bishops Printers is marking its 40 years in business with new investments in its print finishing department.
Air Business’s global e-commerce logistics division partners with Hurricane Commerce to enhance cross-border trade solutions.
Hearst UK has announced Teo van den Broeke as the new editor-in-chief of Esquire.
After more than a century of collaboration, a merger has been announced between the Rationalist Association, which has published New Humanist magazine since its founding in 1885, and Humanists UK.
High-stakes meetings can be stressful and don’t always go according to plan. In the world of sales negotiation, says Spread the Word Media’s Martin Maynard, there are practical things you can do to prepare for the worst.
Utiq has announced it is expanding its regional leadership in Southern Europe and DACH to support continued growth.
The fabl launches ‘Life & Soil’ lifestyle magazine for the Farm Retail Association.
Time Out Market has announced it is heading to Union Square to open its second location in New York City.