The BBC: time for a rethink?
Dickon Ross, a critical friend, wonders if the corporation needs to redefine its role.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Dickon Ross, a critical friend, wonders if the corporation needs to redefine its role.
Hearst UK is partnering with Brand Metrics to strengthen its advertising measurement capabilities.
Good Housekeeping UK has unveiled its redesign and editorial recruits in its first full edition under leadership of Jane Bruton.
Yorkshire’s Toxic Town: Whistleblower speaks out in a new podcast about the UK’s most ‘forever chemical’ polluted town.
Kennedy Publishing has announced the launch of Simply Colour Sabrina Carpenter magazine.
Acorn Web has announced it has partnered with Komori to achieve 30% productivity boost.
PAMCo has announced it has moved forward with its Barb collaboration and new Ipsos measurement contract.
Girl Talk magazine marks its 30th anniversary with an in-depth survey covering topics including screen time, role models, spending choices, skin care and sustainability.
Allwyn UK CEO, Andria Vidler, becomes Advertising Association president.
Hube has launched a new digital edition with magazine platform Exact Editions.
Condé Nast has named Kemi Alemoru as head of editorial content for GLAMOUR UK.
GumGum has released results of a study showing that 94% of consumers across the US, UK, and Canada prefer contextual ads over identity-based ads.
There’s a sense that publishers are starting to take control of programmatic, but how are they doing it in practice, and can smaller publishers, up against larger entities including walled gardens, get in on the act? Preciso's Piero Pavone explains.
Kelsey Media, an independently owned media businesses in the UK, last week announced the acquisition of the Mortons Media Group Limited and group of companies.
TIME will host the annual TIME Women of the Year Gala on February 25, featuring appearances by Nicole Kidman, A'ja Wilson, Olivia Munn, Jordan Chiles and more, with a special performance from Laufey.