Pub Expo Preview
This year’s Publishing Expo seminar programme reflects the bewildering pace of change in the publishing industry, writes Aidan Walker.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
This year’s Publishing Expo seminar programme reflects the bewildering pace of change in the publishing industry, writes Aidan Walker.
Port is a new quarterly men’s magazine, launching in March 2011.
Following on from ad DEPOT, which was claimed to be the world’s first completely web based advertising booking system, publishing solutions provider 5 fifteen has broadened its product range with the introduction of ad DEPOT now!
Baked & Delicious, a new fortnightly partwork from Eaglemoss, goes on sale 9 March, initially priced at 99p.
The PPA has responded to Postcomm's imminent publication of a document confirming its decision to accept Royal Mail’s application to impose additional price increases.
Publishing solutions provider 5 fifteen has appointed Merv Griffin as new Business Development Manager in a move to optimise customer support, reach new territories and generate new business.
Fish ‘n’ Tips, a new monthly title from Blockhead Media, goes on sale on 17 March, cover priced £3.99.
Contract publishing agency PSP Rare has strengthened its retail portfolio landing the contract to publish a brand new Spring/Summer 2011 fashion magazine for Bluewater.
Last week, issue 106 of games went on sale with a special celebration cover featuring 2K’s long-awaited FPS sequel The Darkness 2.
BBC Worldwide has announced that it has acquired the outstanding 25% shareholding in Lonely Planet from founders Tony and Maureen Wheeler for AUD$67.2m (£42.1m).
BBC Magazines is to launch Something Special Magazine this spring, based on the popular award-winning CBeebies TV programme Something Special, starring Justin Fletcher MBE and his alter-ego, Mr Tumble.
Radio Times has launched a national competition, inviting children of all ages to create a magazine cover that celebrates the forthcoming wedding of Prince William and Kate Middleton.
Over recent weeks, editor of weekly lads' mag ZOO Damien McSorley has been hard at work with his team re-developing the magazine to re-energise the brand among its audience of fun-loving young men, says Bauer.
Following the National Magazine Company press release of 17th February, ABC has made the following statement.
CDS Global have released their report into ABC’s subscription highlights for the July-December 2010 period.