MagSell Awards 2011 – the winners
The PPA celebrated the UK's leading magazine retailers at the MagSell Awards on March 3 following a morning of lively debate at the PPA Retail Forum.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The PPA celebrated the UK's leading magazine retailers at the MagSell Awards on March 3 following a morning of lively debate at the PPA Retail Forum.
Future, the special interest media group has announced the dates and venues for its Auto Events Series 2011, along with the news that headline series sponsor Adrian Flux Insurance Services has renewed its contract for 2011 and 2012.
Air Business has closed a landmark deal with Tesco Plc, to handle distribution of international mail to selected countries in Europe.
Dennis Publishing is taking magazine publishing to a new level with an exclusive scratch’n’sniff front cover in the April issue of Bizarre.
Future has announced that it is launching iCAR, a new magazine created to satisfy growing consumer interest in more efficient, intelligent and technologically advanced cars.
With strong backing from the show’s exhibitors and visitors, the NFRN has announced that CTN World is to remain at the Ricoh Arena, Coventry for a second year.
Wyndeham Pre-Press, the company behind the emagine on-line publishing system, has announced a partnership with Yudu Media.
IPC Media has announced it is taking community conversations to the next level as the first publisher in the UK to introduce Facebook’s updated Comments plugin.
International business-to-business publisher KHL Group has launched a new magazine for the fast-growing Latin American construction sector.
BBC Magazines brings Lonely Planet Magazine to Korea, making it the eighth international edition of the publication since its launch in the UK in 2008.
James Kick, one of the new associate publishers within Future’s entertainment division, looks at the challenges ahead.
IPC Southbank has announced it will launch Style at Home in May, after the pilot of the new monthly homes magazine “exceeded all expectations”.
Easter Activity Pack, a oneshot from LCD Publishing, goes on sale 18 March, priced £2.50.
United Business Media has announced that it has acquired SATTE, India’s largest travel and tourism exhibition.
United Business Media has announced that it has agreed to form a joint venture with Drs Anil and Jyotika Arora to operate the Famdent dental exhibition and conference business in India.