ELLE UK announces winner
ELLE UK has announced the winner of its Generation Next Prize.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
ELLE UK has announced the winner of its Generation Next Prize.
Immediate has announced a major investment in a multi-media Good Food Test Kitchen to support its growth plans.
Immediate’s Cath Waller has been appointed as first chair of PPA Magnetic.
Runner’s World UK has announced a new membership club with an inclusive community for runners of all levels.
Mike Tindall has been announced as guest editor of Beano for Bananaman’s 45th Anniversary.
Micropress has ordered a DRUPA 2024 Speedmaster XL 106-8P with Plate to Unit from Heidelberg.
Utiq brings deterministic telco-powered authentic audiences to Onetag’s smart curation platform.
Revving has announced it has secured £107M in investment to combat the UK adtech's cash flow crisis.
Classic & Sports Car brings automotive history alive with new digital archive.
Hearst’s next-generation first-party targeting tool now offered in the UK, Italy, the Netherlands and Spain.
Fraud factories, cyber criminals and corruption: The Economist says its new podcast, “Scam Inc”, uncovers a new, global, underground economy worth more than illicit drug trade.
SeenThis has announced it has joined the Amazon Ads Partner Network and has achieved 3PAS Certification on ADSP to drive cost-efficient video reach.
Pepsi MAX will collaborate on a content partnership with Time Out throughout 2025 with a focus on the best places to eat in the UK.
Mortons Media Group Ltd has announced that Carole Nash, a motorcycle insurance broker, has renewed its sponsorship of the two Stafford Classic Bike Shows for an additional three years.
Time Out Market Osaka has unveiled further additions to its culinary line-up.