Advertising Association releases data
The latest Advertising Standards Authority (ASA) ad awareness campaign results also show gains in trust metrics.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The latest Advertising Standards Authority (ASA) ad awareness campaign results also show gains in trust metrics.
Anthem Publishing has announced two senior appointments, its move into new offices and celebrates being one of the UK’s fastest growing newsstand publishers.
ABC has been announced by IAB UK as official auditor for Retail Media Networks.
Pagel Colin and Thomas Bailly join the business as it continues to expand availability of its Authentic Audiences.
Gold Key Media this week announced two new appointments within their Publisher Brand team, as the business continues to evolve its range of specialist audience engagement activities.
Q4 2024 IPA Bellwether Report shows UK companies revised marketing budgets up marginally as caution remains.
AOP and Deloitte surveyed UK digital publishers to provide an overview of revenue levels across multiple channels and platforms.
IAB UK has expanded the scope of the rebooted Gold Standard to include retail media & CTV standards for first time.
AI Opportunities Action Plan: Creative Rights in AI Coalition warns against mirroring EU approach and rejects suggestion of ‘uncertainty’ in UK law.
Mark Zuckerberg’s recent announcement spells trouble for society but is a possible opportunity for publishers.
ELLE UK is marking its 40th anniversary with a host of events, special print and digital covers, and celebrations of established icons and rising powerhouses, throughout 2025.
Lisa Smosarski has been announced as the new chair of the PPA Next Gen Board.
Digital publishing platform Purple launches new features including multi-language content creation.
Story House Egmont has announced the expansion of its Disney rights in the UK with launch of two new Disney Frozen magazines and Disney Stars magazine.
VTM GO has announced the launch of a new solution to measure CTV advertising impact in real time.