Partnerships signed up for Future’s BikeRadar Live
Future, the special interest media group, has announced the latest round of commercial partnerships for its forthcoming cycling festival, BikeRadar Live.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Future, the special interest media group, has announced the latest round of commercial partnerships for its forthcoming cycling festival, BikeRadar Live.
Garnett Dickinson has announced an extension of its services to create it brand new fully integrated Direct Marketing division – Garnett Dickinson Mailing.
The Strategic Mailing Partnership, a joint initiative between Royal Mail and the UK mailing house industry, has surpassed the landmark of 100 members in just three months since it launched, it was announced yesterday.
BBC Worldwide has announced the appointment of Bob Traub as VP of Retail Development for the Americas.
Eastbourne-based print and design company, Manor Creative, has further enhanced its green credentials with ISO 14001 accreditation.
Athletics Weekly has transferred from Descartes Publishing to a new business called Athletics Weekly Limited.
Haymarket Consumer Media (HCM) has announced changes to its senior management. David Prasher is promoted to managing director of HCM, reporting to Haymarket Media Group’s CEO, Kevin Costello.
Polestar Sheffield, working in partnership with packaging specialist Hovat, has developed an “affordable and practical” solution to deliver the viewing glasses required for 3D print.
United Business Media has announced that it has acquired selected assets of CenTradeX Inc, a provider of market intelligence tools, on behalf of UBM Global Trade's PIERS Global Trade Intelligence business.
Maney Publishing has completed the purchase of the two journals of the Liverpool School of Tropical Medicine (LSTM).
Look, the fashion weekly, has canvassed the opinion of 18-35 year old women and found they are far more likely to vote following the Prime Ministerial Leaders’ TV Debates.
Wallpaper*, the international design, fashion and lifestyle magazine, is giving readers the chance to play art director and custom-make their own cover for the magazine’s August Handmade issue.
IOP Publishing has announced the appointment of Steven Hall as the company’s new Managing Director.
IPC Media has announced that it is undertaking a strategic review of its niche and specialist titles.
FHM has announced Cheryl Cole as the winner of FHM’s 100 Sexiest Women in the World 2010 poll. The Girls Aloud and X Factor star eased into the top spot for a second consecutive year leaving actress Megan Fox in second place.