Autocar offers one-time fee for libraries
Autocar offers libraries one-time fee for lifetime access to the title.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Autocar offers libraries one-time fee for lifetime access to the title.
WoodWing has announced that it has strengthened its Enterprise Information Management position through the acquisition of Qonqord.
James Evelegh recalls some of the noteworthy numbers from the past twelve months.
Warners Group Publications has strengthened its partnership with Exact Editions with the addition of its German military history title Iron Cross.
Forbes has announced it is launching a private members-only club and confirms the opening of Forbes House Madrid.
Women’s Health UK and Men’s Health UK enhance membership offerings through partnership with fitness app FIIT.
Morin Oluwole joins the board of Brandtech’s MOBKOI as advisor to drive global expansion & innovation.
The GumGum Platform has achieved global SOC 2 compliance, setting standards for data security in ad tech.
Phillips, a 28-year Forbes veteran, succeeds Mike Federle, who will serve as strategic advisor to leadership team and board.
Utiq partners with All Eyes On Screens to offer enhanced Authentic Audience addressability for TV advertising in Germany.
Habitat, Future Creative and DRUM team up for ‘The Very Very Nice List’ celebrating design-led festive décor.
According to Readly, Britain's most talked about news moments of 2024 included the US and UK elections, Taylor Swift’s epic live shows and the Oasis reunion.
Grand Designs Australia and Homespun Magazines have launched digital editions for subscription in partnership with digital publishing platform Exact Editions.
Both internally and externally, digital publishing is increasingly collaborative. Teams and organisations are joining up their assets, insights, and connections to achieve a stronger foothold in the tumultuous media ecosystem.
Jennifer Schivas, CEO of 67 Bricks, reflects on how publishers’ approach to AI has evolved over the past twelve months and offers her thoughts on what publishers should be prioritising in 2025.