A life in magazines: what a drama…
Alan Geere attended the Future of Media Technology Conference in London, where he bumped into former Good Housekeeping editor-in-chief, Lindsay Nicholson…
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Alan Geere attended the Future of Media Technology Conference in London, where he bumped into former Good Housekeeping editor-in-chief, Lindsay Nicholson…
Anna Johnstone is head of social at HELLO! magazine, where her focus is on extending their reach on, and driving traffic from, the social media platforms. This is what’s she’s working on at the moment.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
It was a year of elections in the UK and US. Trump is back, so is Labour. Elon Musk mocks mainstream media and Rupert Murdoch predicts when the last newspaper will be printed. Jon Slattery chooses his media quotes of the year.
Most forms of discrimination are experienced by minority groups; a few by majority groups. But there’s one that could potentially affect all of us and that’s ageism, laments Dickon Ross.
AI can make us more efficient and improve performance, but it can also facilitate the development of completely new products, says Markus Karlsson, CEO and founder of Affino.
Immediate Media has put a lot of effort into evaluating the potential of AI. Katja Eggert, head of strategic development, outlines how their approach to AI has evolved.
AI is driving major workflow efficiencies and image enhancements within editorial and picture teams, says Derek Milne, commercial pixometrist at Pixometry.
If AI tools are intuitive and easy to use, journalists will use them. If they’re not, they won’t. Peter Dyllick-Brenzinger, head of product and engineering at Purple, looks at this and other AI lessons learnt so far.
One of the most effective ways in which AI can assist in the copy editing process, says Tom Pijsel, VP product management at WoodWing, is in the area of copy fitting.
Informa has confirmed the completion of its agreement to combine Informa Tech’s Digital Businesses with US-listed TechTarget.
Future plc, a global specialist media company, has published its full year results for the year ended 30 September 2024.
Jellyfish has launched Share of Model Platform, a solution to track how LLMs perceive brands, products & services.
What does it take to be a profitable publisher today? Juan Señor outlined five principles at the recent PPA conference.
What consumers want and how they behave has a huge impact on magazine sales. We grab five minutes with Seymour’s Danielle Colley to ask her about the standout trends.