ABC statement from Saga
Saga Magazine has released the following statement to accompany yesterday’s release of the July-December 2009 ABCs:
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Saga Magazine has released the following statement to accompany yesterday’s release of the July-December 2009 ABCs:
Maney Publishing has announced that the publishing agreement with the Australasian Institute of Mining and Metallurgy (AusIMM) has been renewed for another three years.
From the creators of TOXIC and The Official Ben 10 Magazine comes Megaton - a new lifestyle magazine for kids aged 8-12!
UPM is committed to an innovative research partnership as part of the Baltic Sea Action Summit.
UPM has been awarded the “Sustainable Innovation Management” prize at the “Best Innovator 2010” awards in Germany.
Today The Specialist Media Show announces its line-up of top Media Speakers who will share their expertise and experience at the Conference sessions of the inaugural show on 25th May 2010.
Haymarket Consumer Media has appointed David Hall as the new editor of FourFourTwo, the adult football magazine.
UK advertising expenditure figures – actual Q3 2009 data and forecasts to Q3 2011 – released today by the Advertising Association (AA) and researched and compiled by Warc, show that after nine consecutive quarters of year-on-year decline, total adspe
St Ives has announced the appointments of Charles Jarrold and Jamie Booth, as Group Business Development Directors.
NME has announced that the Modfather, Paul Weller, is to receive the Godlike Genius accolade at the Shockwaves NME Awards 2010 and will perform at this year’s ceremony on 24th February.
The latest issue of Classic FM magazine comes with a cover-mounted CD of music that, when loaded into a computer, will give readers access to extra multimedia content online.
Sue Knights, Senior Vice President and Managing Director of Time Warner Publishing BV, has announced the sale of TW4’s Product business.
Future, the special interest media group and UK’s leading music-making publisher has announced the promotion of Rob Last to Publisher of its music-making group.
Haymarket’s C&IT (Conference & Incentive Travel) has unveiled a “contemporary” new look across its magazine and website today.
Haymarket’s Third Sector magazine and the Institute of Fundraising have launched the Business Charity Awards to recognise the how companies contribute to charities.