New Dinosaur part work
A new weekly partwork collection for children aims to bring a lost world back to life.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
A new weekly partwork collection for children aims to bring a lost world back to life.
Future, the special interest media group and one of the world’s leading provider of cycling content, is offering a fully comprehensive 2010 mountain bike buyer’s guide in the latest issue of What Mountain Bike magazine.
Charles Reed, Group Managing Director of William Reed Business Media, has taken office as chairman of the PPA from Peter Phippen, Managing Director of BBC Magazines.
IPC Connect’s portfolio of TV magazines has teamed up with Sky’s new online music service, Sky Songs, to promote the service and offer free downloads to readers.
Future, the special interest media group and Roadrunner Records, the rock music label, have today confirmed their pioneering ‘Fan Pack’ release of Slash’s self-titled debut solo album will go on sale across the UK on Wednesday, 7th April – a month ah
Leading disability charity, Scope has joined with FuturePlus, the customer publishing agency, to support its in-house editorial and sales team on the production of its monthly Disability Now magazine.
The March issue of FHM (on sale 4 February) has been redesigned to better showcase the recent editorial changes made by new editor Colin Kennedy.
The fashion publication Elle Collections has been printed web offset in the UK for the first time.
In the 19 days since the Haiti earthquake struck, Informa staff around the world have engaged minds and hearts and dug deep into their pockets to raise £26,725 for the disaster relief in Haiti.
Two Sides, the UK initiative to promote the responsible production and use of print and paper, and encourage its use as an attractive, practical and sustainable communications medium, has launched an initiative to attract more printers to its campaig
The Specialist Media Show, a new conference, exhibition and workshop programme for professionals working in and around specialist publications, events and digital media launches on 25 May 2010.
CDS Global has announced the acquisition of the Optima business, previously operated by Optima Data Intelligence Services Limited, Optima Data Intelligence Limited and Optima UK Limited.
Future, the special-interest media group, has further strengthened its senior commercial team with the appointment of Steve Payne as Ad Planning Director.
Royal Mail has announced that Adam Crozier, Group Chief Executive, will be leaving Royal Mail later this year to take up the post of Chief Executive of ITV.
Nuts, the PPA Awards Consumer Media Brand of the Year, has unveiled a “brilliant” new look, with a comprehensive design refresh and raft of new editorial franchises.