The Stationers’ Company renames academy
The Stationers’ Company celebrates the official launch of Leigh Stationers’ Academy in south-east London.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The Stationers’ Company celebrates the official launch of Leigh Stationers’ Academy in south-east London.
Multilocal has announced the appointment of Rafal Dworak as product partnerships lead.
According to the research, car-buyers more likely to engage with automotive publishers than car brand websites.
The new editorial team and vertical will dive deeper into the world of sports memorabilia, and features a multi-year exclusive collectibles partnership with eBay.
How should publishers deal with the AI platforms?
Condé Nast CEO Roger Lynch has announced the company's multi-year partnership with OpenAI in a memo to employees.
Marketforce have conquered the National 3 Peaks and raised over £4k for NewstrAid.
Elizabeth Herbst-Brady joins global executive leadership team as chief revenue officer.
Hearst UK has announced the launch of a Taylor Swift bookazine to coincide with the star’s London shows.
First Mailing has announced it is has expanded its capacity with the installation of a third paper wrapping machine.
According to WARC, declining addressability, brand safety and ad fraud are set to define programmatic advertising over the next year.
Time Out London has revealed its hyper-local out-of-home campaign to launch new WhatsApp Channels with billboards across Hackney, Bethnal Green and Walthamstow to inspire locals to follow Time Out on WhatsApp.
Kerys Arundell is head of ad ops at Bauer Media, where she is responsible for technical ad delivery and efficiency across their portfolio. This is what’s she’s working on now…
Where is the growth opportunity for today’s publishers? Douglas McCabe tracks how the commercial model has evolved over the past fifty years and examines whether a better understanding of what online audiences want, will help drive future growth.
Now, now, settle down at the back, no tittering, please. In this always-on media age, Slow Journalism really is a thing, as Alan Geere reports in this quick read.