Onetag announces partnership with Adelaide
The partnership applies Adelaide’s AU attention metric data to the Onetag Smart Curation Platform and its global publisher supply.
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
The partnership applies Adelaide’s AU attention metric data to the Onetag Smart Curation Platform and its global publisher supply.
The PPA Next Gen Awards champion some of the most exciting rising stars in the UK publishing and specialist media sector.
Kennedy Publishing have announced the launch of Collage + Create… Taylor Swift.
The Spectator magazine has been sold for £100m to Sir Paul Marshall, a hedge fund manager and major investor in GB News.
A statement of objections sets out how Google may have broken competition law by using its dominance to favour its own ad tech services in open-display advertising.
Kelsey Media last week announced the sale of Performance VW magazine to Orchid Euro LLC.
Story House Egmont announces plans for a multi-market Sonic the Hedgehog Magazine launch.
Fused Magazine is launching a new offshoot print title Travel Editions - exploring the world of contemporary luxury travel for the creative class.
TIME has revealed its second annual TIME100 AI list, recognizing the 100 most influential people in artificial intelligence.
Haymarket Media Group has announced the British Red Cross as its new global charity partner.
The partnership integrates Onetag’s Smart Curation platform with Audigent’s programmatic activation which aims to offer higher media quality across the ad ecosystem.
Bauer Media Group launches ‘Crime Monthly Presents: Evil Uncovered’ a new True Crime podcast series.
Rebrand and e-commerce integration heralds a new era for Auto Express as part of Carwow Group.
Anthem Publishing has announced that cookbook brand Pinch of Nom has joined its Healthy Eating series with the official Pinch of Nom magazine.
Ahead of our ‘optimising sales’ webinar on 24 September, we grab five minutes with Workbooks CEO John Cheney to ask him about some of the sales challenges and opportunities facing publishers.