The art of the sale
Commercial revenues form a major part of many publishers’ revenue streams. How can they be increased?
Consumer magazines spent most of the past two decades managing decline. The more confident publishers have stopped doing that. Newsstand sales and print advertising are still shrinking, but well-made titles with loyal readers are raising cover prices and growing.
Scale matters less than it did. Bauer has made Grazia a more premium product and charged more for it, while independents such as Anthem have put print back at the centre of the business and grown their export sales. Stylist has changed format several times without losing its readers. Others have gone the other way, and Gay Times dropped print entirely to build a global audience online.
For most consumer publishers, print is our USP. It’s the anchor that makes advertisers trust us and the very thing that readers want from us.
Jon Bickley Our print strategy: Anthem
Behind the confidence sits some hard arithmetic. Newstrade is now a small share of revenue and events and ecommerce are growing from a low base. Trust has become a selling point as AI fills the web with content of uncertain origin, but the paid-for consumer model that works at scale is still being worked out.
Below you'll find some of our best feature articles on consumer magazines, from premium print and cover pricing to brand extensions, membership and the future of specialist titles, alongside our latest news and industry commentary.
For a while now, magazine publishers have been on the defensive, unsure about the viability of their traditional business model in a fast-changing world. Katie Vanneck-Smith wants to change all that.
We asked Tamar Riley, portfolio managing director at Immediate, what does best practice publishing look like in consumer media? This is what she said…
For premium titles like Grazia, Mojo and Empire, growth is increasingly coming not from extending reach but from deepening engagement with existing passionate audiences, as Lauren Holleyoake tells Ciar Byrne.
The printed magazine will be a cherished part of people’s lives for years to come, says Jon Bickley, co-founder and CEO. That is why it’s the key component in Anthem’s publishing strategy.
With the arrival of AI and the widespread availability of unattributable content, specialist publishers need to ensure that their titles are the trusted go-to brands in their sectors, Our Media’s Andy Marshall tells Ciar Byrne.
Stylist’s mission has been clear from day one: to engage with its female audience in an intelligent, positive and non-exploitative way. 16 years on, and current PPA Media Brand of the Year, they are staying true to those values, says Lisa Smosarski.
Gay Times was stuck in a rut, tied to its traditional publishing model and reaching only a small part of the LGBTQ+ community. Under the editorship of Lewis Corner, that began to change, as he explains to Ciar Byrne.
Whatever the rest of 2024 holds, two things are certain. Firstly, the bumpy economic ride will continue. Secondly, the need for media companies to have a broad base of revenue streams has never been more important or more challenging to achieve.
How do you create a specialist consumer media business that is fit for the future? What steps do you need to take to be resilient and flexible as audiences and technology evolve? Carolyn Morgan researched 20 innovators from across Europe to find out.
For many publishers, circulation is all about chasing volume, but they would be much better off chasing profitability, says Natalie Smith, client relationship manager at Warners.
Commercial revenues form a major part of many publishers’ revenue streams. How can they be increased?
Kennedy Publishing says Love From Sylvanian Families combines the focus on creativity in Love From with the Sylvanian Families brand.
Self Select Distribution have been accredited by ABC for the 12th consecutive year as a certified distribution supplier of free publications.
VeraViews has leveraged the NextGen FDI initiative to launch in UAE, the company will establish its global headquarters in Dubai’s Media City.
Kennedy Publishing is celebrating Hello Kitty’s 50th anniversary with a special issue.
Big Issue has launched a new membership scheme to ask Brits to hit cancel on poverty and unite in midst of poverty crisis.
SeenThis introduces more sustainable video advertising to the Japanese market.
Cafeyn has launched a new product and brand identity to offer its users a personalised experience in digital reading.
Hearst UK has launched a Data Academy apprenticeship data and AI training programme for its team.
How you manage your various circulation revenue streams might be limiting your growth potential. Ahead of his 'circulation profitability' webinar on 15th October, we grab five minutes with Warners Group Publications’ Keiron Jefferies to find out why…
Utiq has announced a partnership with mediarithmics to deliver deterministic, privacy-first, addressable digital marketing capabilities.
Nativo has announced the launch of Brand Rank, enabling advertisers to measure the mid-funnel by connecting content to outcomes.
Time Out says as part of an existing long-term partnership, guests will be able to enjoy a curated culinary experience at Time Out Market Barcelona.
Barb and PAMCo announce a jointly run beta-stage trial of shared data collection in October 2024.
Good Food has announced Good Food Rising Stars, a new nationwide competition for talented, undiscovered food content creators.